Migros Museum für Gegenwartskunst

Knowledge Is a Garden
Uriel Orlow in dialogue with the Migros Museum für Gegenwartskunst collection

Exhibition
28.09.24 – 19.01.25

Uriel Orlow, Learning from Artemisia, 2019, 3-channel video on 3 monitors (color, sound, HD, synchronized, 2 x stereo sound, 14 minutes 14 seconds), tea- and sitting options, wall print, wall color, dimensions variable, Courtesy of Uriel Orlow. Commissioned by Lubumbashi Biennale VI, Ateliers Picha. Installation view Migros Museum für Gegenwartskunst, Photo: Studio Stucky © ProLitteris, Zürich
Uriel Orlow, Learning from Artemisia, 2019, 3-channel video on 3 monitors (color, sound, HD, synchronized, 2 x stereo sound, 14 minutes 14 seconds), tea- and sitting options, wall print, wall color, dimensions variable, Courtesy of Uriel Orlow. Commissioned by Lubumbashi Biennale VI, Ateliers Picha. Installation view Migros Museum für Gegenwartskunst, Photo: Studio Stucky © ProLitteris, Zürich
Uriel Orlow, Learning from Artemisia, 2019, 3-channel video on 3 monitors (color, sound, HD, synchronized, 2 x stereo sound, 14 minutes 14 seconds), tea- and sitting options, wall print, wall color, dimensions variable, Courtesy of Uriel Orlow. Commissioned by Lubumbashi Biennale VI, Ateliers Picha. Installation view Migros Museum für Gegenwartskunst, Photo: Studio Stucky © ProLitteris, Zürich
Uriel Orlow, Learning from Artemisia, 2019, 3-channel video on 3 monitors (color, sound, HD, synchronized, 2 x stereo sound, 14 minutes 14 seconds), tea- and sitting options, wall print, wall color, dimensions variable, Courtesy of Uriel Orlow. Commissioned by Lubumbashi Biennale VI, Ateliers Picha. Installation view Migros Museum für Gegenwartskunst, Photo: Studio Stucky © ProLitteris, Zürich
Munem Wasif, Song of Seasons – An Ecological Calendar, 2023 – Ongoing, Natural dye textile, drawing from photographs, silkscreen print, hand-stitched text with wooden and steel hanging system, Courtesy of Munem Wasif and Project 88. Installation view Migros Museum für Gegenwartskunst, Photo: Studio Stucky
Munem Wasif, Song of Seasons – An Ecological Calendar, 2023 – Ongoing, Natural dye textile, drawing from photographs, silkscreen print, hand-stitched text with wooden and steel hanging system, Courtesy of Munem Wasif and Project 88. Installation view Migros Museum für Gegenwartskunst, Photo: Studio Stucky
Munem Wasif, Song of Seasons – An Ecological Calendar, 2023 – Ongoing, Natural dye textile, drawing from photographs, silkscreen print, hand-stitched text with wooden and steel hanging system, Courtesy of Munem Wasif and Project 88. Installation view Migros Museum für Gegenwartskunst, Photo: Studio Stucky
Munem Wasif, Song of Seasons – An Ecological Calendar, 2023 – Ongoing, Natural dye textile, drawing from photographs, silkscreen print, hand-stitched text with wooden and steel hanging system, Courtesy of Munem Wasif and Project 88. Installation view Migros Museum für Gegenwartskunst, Photo: Studio Stucky
Eva Kot’átková, Collection of Suppressed Voices, 2014, Steel, fired clay, prints on paper, cardboard, chalk, baskets, wood, General Idea, White AIDS (Wallpaper), 1990, Screen print on paper and White AIDS (F), 1993, Tinted white acrylic gesso (3 tints) on canvas, Dani Gal, Historical Records, Part 1, 2005–2018, 246 vinyl records, Sammlung Migros Museum für Gegenwartskunst. Exhibition view Migros Museum für Gegen- wartskunst, Photo: Studio Stucky © Eva Kot’átková, General Idea, Dani Gal
Eva Kot’átková, Collection of Suppressed Voices, 2014, Steel, fired clay, prints on paper, cardboard, chalk, baskets, wood, General Idea, White AIDS (Wallpaper), 1990, Screen print on paper and White AIDS (F), 1993, Tinted white acrylic gesso (3 tints) on canvas, Dani Gal, Historical Records, Part 1, 2005–2018, 246 vinyl records, Sammlung Migros Museum für Gegenwartskunst. Exhibition view Migros Museum für Gegen- wartskunst, Photo: Studio Stucky © Eva Kot’átková, General Idea, Dani Gal
Dani Gal, Historical Records, Part 1, 2005–2018, 246 vinyl records, Sammlung Migros Museum für Gegenwartskunst. Exhibition view Migros Museum für Gegenwartskunst, Photo: Studio Stucky © Dani Gal
Dani Gal, Historical Records, Part 1, 2005–2018, 246 vinyl records, Sammlung Migros Museum für Gegenwartskunst. Exhibition view Migros Museum für Gegenwartskunst, Photo: Studio Stucky © Dani Gal
Eva Kot’átková, Collection of Suppressed Voices, 2014, Steel, fired clay, prints on paper, cardboard, chalk, baskets, wood, General Idea, White AIDS (Wallpaper), 1990, Screen print on paper and White AIDS (F), 1993, Tinted white acrylic gesso (3 tints) on canvas, Sammlung Migros Museum für Gegenwartskunst. Exhibition view Migros Museum für Gegenwartskunst, Photo: Studio Stucky © Eva Kot’átková, General Idea
Eva Kot’átková, Collection of Suppressed Voices, 2014, Steel, fired clay, prints on paper, cardboard, chalk, baskets, wood, General Idea, White AIDS (Wallpaper), 1990, Screen print on paper and White AIDS (F), 1993, Tinted white acrylic gesso (3 tints) on canvas, Sammlung Migros Museum für Gegenwartskunst. Exhibition view Migros Museum für Gegenwartskunst, Photo: Studio Stucky © Eva Kot’átková, General Idea
Uriel Orlow, Theatrum Botanicum Trilogy, 2016 - 2018, 3-channel video installation (color, b/w, sound, HD), dexion structure, dimensions variable, Sammlung Migros Museum für Gegenwartskunst, Zahra Malkani, Flowers, 2020, Text (Audio guide via QR-Code, Print), Courtesy of Zahra Malkani. Exhibition view Migros Museum für Gegenwartskunst, Photo: Studio Stucky © ProLitteris, Zürich
Uriel Orlow, Theatrum Botanicum Trilogy, 2016 - 2018, 3-channel video installation (color, b/w, sound, HD), dexion structure, dimensions variable, Sammlung Migros Museum für Gegenwartskunst, Zahra Malkani, Flowers, 2020, Text (Audio guide via QR-Code, Print), Courtesy of Zahra Malkani. Exhibition view Migros Museum für Gegenwartskunst, Photo: Studio Stucky © ProLitteris, Zürich
Uriel Orlow, Theatrum Botanicum Trilogy, 2016 - 2018, 3-channel video installation (color, b/w, sound, HD), dexion structure, dimensions variable, Teresa Burga, Autorre- trato. Estructura. Informe. 9.6.72, 1972/2006/2011, Diagrams, prescriptions, photo- graphs, phonocardiogram, plexiglass, wood, sound, Sammlung Migros Museum für Gegenwartskunst. Exhibition view Migros Museum für Gegenwartskunst, Photo: Stu- dio Stucky © ProLitteris, Zürich
Uriel Orlow, Theatrum Botanicum Trilogy, 2016 - 2018, 3-channel video installation (color, b/w, sound, HD), dexion structure, dimensions variable, Teresa Burga, Autorre- trato. Estructura. Informe. 9.6.72, 1972/2006/2011, Diagrams, prescriptions, photo- graphs, phonocardiogram, plexiglass, wood, sound, Sammlung Migros Museum für Gegenwartskunst. Exhibition view Migros Museum für Gegenwartskunst, Photo: Stu- dio Stucky © ProLitteris, Zürich
Teresa Margolles, La búsqueda, 2014, Sound installation, Intervention with sound fre- quency on glass panels transported from the historical center of Ciudad Juárez. The audio was recorded from the train that divides the city and transformed into low fre- quencies, Sammlung Migros Museum für Gegenwartskunst. Installation view Migros Museum für Gegenwartskunst, Photo: Studio Stucky © Teresa Margolles
Teresa Margolles, La búsqueda, 2014, Sound installation, Intervention with sound fre- quency on glass panels transported from the historical center of Ciudad Juárez. The audio was recorded from the train that divides the city and transformed into low fre- quencies, Sammlung Migros Museum für Gegenwartskunst. Installation view Migros Museum für Gegenwartskunst, Photo: Studio Stucky © Teresa Margolles
Teresa Burga, Autorretrato. Estructura. Informe. 9.6.72, 1972/2006/2011, Diagrams, prescriptions, photographs, phonocardiogram, plexiglass, wood, sound, Sammlung Migros Museum für Gegenwartskunst. Installation view Migros Museum für Gegen- wartskunst, Photo: Studio Stucky © The Estate of Teresa Burga
Teresa Burga, Autorretrato. Estructura. Informe. 9.6.72, 1972/2006/2011, Diagrams, prescriptions, photographs, phonocardiogram, plexiglass, wood, sound, Sammlung Migros Museum für Gegenwartskunst. Installation view Migros Museum für Gegen- wartskunst, Photo: Studio Stucky © The Estate of Teresa Burga
Uriel Orlow, What Plants Were Called Before They Had a Name (Guatemala), 2019– 2021, Single-channel video on monitor (color, sound, 11 minutes 53 seconds), overhead projections on canvases, dimensions variable, Courtesy of Uriel Orlow. Commissioned by Bienal Paiz Guatemala, Lothar Baumgarten, Vom Aroma der Namen, 1985, Helio- graphy and silkscreen on paper, Sammlung Migros Museum für Gegenwartskunst. Exhibition view Migros Museum für Gegenwartskunst, Photo: Studio Stucky © ProLit- teris, Zürich
Uriel Orlow, What Plants Were Called Before They Had a Name (Guatemala), 2019– 2021, Single-channel video on monitor (color, sound, 11 minutes 53 seconds), overhead projections on canvases, dimensions variable, Courtesy of Uriel Orlow. Commissioned by Bienal Paiz Guatemala, Lothar Baumgarten, Vom Aroma der Namen, 1985, Helio- graphy and silkscreen on paper, Sammlung Migros Museum für Gegenwartskunst. Exhibition view Migros Museum für Gegenwartskunst, Photo: Studio Stucky © ProLit- teris, Zürich

Artists
Basel Abbas, Ed Ruscha, Elodie Pong, General Idea, Kiluanji Kia Henda, Maria Eichhorn, Ruanne Abou-Rahme, Sammy Baloji, Susan Hiller, Teresa Margolles, Uriel Orlow, Lothar Baumgarten, Teresa Burga, Dani Gal, Eva Kot’átková, Zahra Malkani, Senga Nengudi, Munem Wasif

Curators
Nadia Schneider Willen, Uriel Orlow

Download
Press release (PDF)

Location

Migros Museum für Gegenwartskunst
Limmatstrasse 270
8005 Zürich
Switzerland
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Website
https://migrosmuseum.ch

Published on: 17.10.24