marytwo

Rumour Has It

Exhibition
23.08.25 – 11.10.25

Exhibition view, Rumour Has It. Photo credits: marytwo
Exhibition view, Rumour Has It. Photo credits: marytwo
Aileen Lambert and Michael Fortune, The Banshee Lives in the Handball Alley, 2005/2025, 4:3 (colour, sound), 50:20’. Photo credits: marytwo
Aileen Lambert and Michael Fortune, The Banshee Lives in the Handball Alley, 2005/2025, 4:3 (colour, sound), 50:20’. Photo credits: marytwo
Aileen Lambert and Michael Fortune, The Banshee Lives in the Handball Alley, 2005/2025, 4:3 (colour, sound), 50:20’. Photo credits: marytwo
Aileen Lambert and Michael Fortune, The Banshee Lives in the Handball Alley, 2005/2025, 4:3 (colour, sound), 50:20’. Photo credits: marytwo
Aileen Lambert and Michael Fortune, The Banshee Lives in the Handball Alley, 2005/2025, 4:3 (colour, sound), 50:20’. Photo credits: marytwo
Aileen Lambert and Michael Fortune, The Banshee Lives in the Handball Alley, 2005/2025, 4:3 (colour, sound), 50:20’. Photo credits: marytwo
Aileen Lambert and Michael Fortune, The Banshee Lives in the Handball Alley, 2005/2025, 4:3 (colour, sound), 50:20’. Photo credits: marytwo
Aileen Lambert and Michael Fortune, The Banshee Lives in the Handball Alley, 2005/2025, 4:3 (colour, sound), 50:20’. Photo credits: marytwo
Aileen Lambert and Michael Fortune, The Banshee Lives in the Handball Alley, 2005/2025, 4:3 (colour, sound), 50:20’. Photo credits: marytwo
Aileen Lambert and Michael Fortune, The Banshee Lives in the Handball Alley, 2005/2025, 4:3 (colour, sound), 50:20’. Photo credits: marytwo
Fanny Vaucher, Dessins originaux n° 1 à 13 de la bande dessinée retraçant l’histoire des chambres tapissées de papier peint de La Bise noire, 2021, Watercolour on paper, 42 × 29.6cm, Courtesy of Fanny Vaucher and the Swiss National Museum. Photo credits: marytwo
Fanny Vaucher, Dessins originaux n° 1 à 13 de la bande dessinée retraçant l’histoire des chambres tapissées de papier peint de La Bise noire, 2021, Watercolour on paper, 42 × 29.6cm, Courtesy of Fanny Vaucher and the Swiss National Museum. Photo credits: marytwo
Fanny Vaucher, Dessins originaux n° 1 à 13 de la bande dessinée retraçant l’histoire des chambres tapissées de papier peint de La Bise noire, 2021, Watercolour on paper, 42 × 29.6cm, Courtesy of Fanny Vaucher and the Swiss National Museum. Photo credits: marytwo
Fanny Vaucher, Dessins originaux n° 1 à 13 de la bande dessinée retraçant l’histoire des chambres tapissées de papier peint de La Bise noire, 2021, Watercolour on paper, 42 × 29.6cm, Courtesy of Fanny Vaucher and the Swiss National Museum. Photo credits: marytwo
Fanny Vaucher, Dessins originaux n° 1 à 13 de la bande dessinée retraçant l’histoire des chambres tapissées de papier peint de La Bise noire, 2021, Watercolour on paper, 42 × 29.6cm, Courtesy of Fanny Vaucher and the Swiss National Museum. Photo credits: marytwo
Fanny Vaucher, Dessins originaux n° 1 à 13 de la bande dessinée retraçant l’histoire des chambres tapissées de papier peint de La Bise noire, 2021, Watercolour on paper, 42 × 29.6cm, Courtesy of Fanny Vaucher and the Swiss National Museum. Photo credits: marytwo
Fanny Vaucher, Dessins originaux n° 1 à 13 de la bande dessinée retraçant l’histoire des chambres tapissées de papier peint de La Bise noire (detail), 2021, Watercolour on paper, 42 × 29.6cm, Courtesy of Fanny Vaucher and the Swiss National Museum. Photo credits: marytwo
Fanny Vaucher, Dessins originaux n° 1 à 13 de la bande dessinée retraçant l’histoire des chambres tapissées de papier peint de La Bise noire (detail), 2021, Watercolour on paper, 42 × 29.6cm, Courtesy of Fanny Vaucher and the Swiss National Museum. Photo credits: marytwo
Fanny Vaucher, Dessins originaux n° 1 à 13 de la bande dessinée retraçant l’histoire des chambres tapissées de papier peint de La Bise noire (detail), 2021, Watercolour on paper, 42 × 29.6cm, Courtesy of Fanny Vaucher and the Swiss National Museum. Photo credits: marytwo
Fanny Vaucher, Dessins originaux n° 1 à 13 de la bande dessinée retraçant l’histoire des chambres tapissées de papier peint de La Bise noire (detail), 2021, Watercolour on paper, 42 × 29.6cm, Courtesy of Fanny Vaucher and the Swiss National Museum. Photo credits: marytwo
Collectif Je t’aime, If the collective was a tattoo, how many laser sessions would it take to erase it?, 2025, Turned wood, faux leather, and 2-channel video, 82 × 160 × 200 cm, 15:31’, 09:15’ Video credits: Lester Kielstein.. Photo credits: marytwo
Collectif Je t’aime, If the collective was a tattoo, how many laser sessions would it take to erase it?, 2025, Turned wood, faux leather, and 2-channel video, 82 × 160 × 200 cm, 15:31’, 09:15’ Video credits: Lester Kielstein.. Photo credits: marytwo
Collectif Je t’aime, If the collective was a tattoo, how many laser sessions would it take to erase it?, 2025, Turned wood, faux leather, and 2-channel video, 82 × 160 × 200 cm, 15:31’, 09:15’ Video credits: Lester Kielstein. Photo credits: marytwo
Collectif Je t’aime, If the collective was a tattoo, how many laser sessions would it take to erase it?, 2025, Turned wood, faux leather, and 2-channel video, 82 × 160 × 200 cm, 15:31’, 09:15’ Video credits: Lester Kielstein. Photo credits: marytwo
Collectif Je t’aime, If the collective was a tattoo, how many laser sessions would it take to erase it? (detail), 2025, Turned wood, faux leather, and 2-channel video, 82 × 160 × 200 cm, 15:31’, 09:15’ Video credits: Lester Kielstein. Photo credits: marytwo
Collectif Je t’aime, If the collective was a tattoo, how many laser sessions would it take to erase it? (detail), 2025, Turned wood, faux leather, and 2-channel video, 82 × 160 × 200 cm, 15:31’, 09:15’ Video credits: Lester Kielstein. Photo credits: marytwo
Collectif Je t’aime, If the collective was a tattoo, how many laser sessions would it take to erase it? (detail), 2025, Turned wood, faux leather, and 2-channel video, 82 × 160 × 200 cm, 15:31’, 09:15’ Video credits: Lester Kielstein. Photo credits: marytwo
Collectif Je t’aime, If the collective was a tattoo, how many laser sessions would it take to erase it? (detail), 2025, Turned wood, faux leather, and 2-channel video, 82 × 160 × 200 cm, 15:31’, 09:15’ Video credits: Lester Kielstein. Photo credits: marytwo
Collectif Je t’aime, If the collective was a tattoo, how many laser sessions would it take to erase it? (detail), 2025, Turned wood, faux leather, and 2-channel video, 82 × 160 × 200 cm, 15:31’, 09:15’ Video credits: Lester Kielstein. Photo credits: marytwo
Collectif Je t’aime, If the collective was a tattoo, how many laser sessions would it take to erase it? (detail), 2025, Turned wood, faux leather, and 2-channel video, 82 × 160 × 200 cm, 15:31’, 09:15’ Video credits: Lester Kielstein. Photo credits: marytwo
Collectif Je t’aime, If the collective was a tattoo, how many laser sessions would it take to erase it? (detail), 2025, Turned wood, faux leather, and 2-channel video, 82 × 160 × 200 cm, 15:31’, 09:15’ Video credits: Lester Kielstein. Photo credits: marytwo
Collectif Je t’aime, If the collective was a tattoo, how many laser sessions would it take to erase it? (detail), 2025, Turned wood, faux leather, and 2-channel video, 82 × 160 × 200 cm, 15:31’, 09:15’ Video credits: Lester Kielstein. Photo credits: marytwo
Exhibition view, Rumour Has It. Photo credits: marytwo
Exhibition view, Rumour Has It. Photo credits: marytwo
Joana-Maria Peralta-Ferrer, Lecture on Raphael Alcampo by Sylvia P. Greenwood, 2025, Performance, slideshow, chairs, plynth, 20:00’, dimensions variable. Photo credits: marytwo
Joana-Maria Peralta-Ferrer, Lecture on Raphael Alcampo by Sylvia P. Greenwood, 2025, Performance, slideshow, chairs, plynth, 20:00’, dimensions variable. Photo credits: marytwo
Joana-Maria Peralta-Ferrer, Lecture on Raphael Alcampo by Sylvia P. Greenwood, 2025, Performance, slideshow, chairs, plynth, 20:00’, dimensions variable. Photo credits: marytwo [22 August 2025 07:31pm]
Joana-Maria Peralta-Ferrer, Lecture on Raphael Alcampo by Sylvia P. Greenwood, 2025, Performance, slideshow, chairs, plynth, 20:00’, dimensions variable. Photo credits: marytwo [22 August 2025 07:31pm]
Joana-Maria Peralta-Ferrer, Lecture on Raphael Alcampo by Sylvia P. Greenwood (detail), 2025, Performance, slideshow, chairs, plynth, 20:00’, dimensions variable. Photo credits: marytwo
Joana-Maria Peralta-Ferrer, Lecture on Raphael Alcampo by Sylvia P. Greenwood (detail), 2025, Performance, slideshow, chairs, plynth, 20:00’, dimensions variable. Photo credits: marytwo
Laura Paloma, 🌹invest🌹and🌹thank🌹me🌹later🌹the🌹blockchain🌹says🌹it’s🌹mine, 2023/2025, Vinyl print, https://docs.google.com/document/d/1KeMoKKlwpKcitf5hj3OgoHIrUHPH- r4yuvMZWi6F4m4/edit?tab=t.0, 10 × 310 cm. Photo credits: marytwo
Laura Paloma, 🌹invest🌹and🌹thank🌹me🌹later🌹the🌹blockchain🌹says🌹it’s🌹mine, 2023/2025, Vinyl print, https://docs.google.com/document/d/1KeMoKKlwpKcitf5hj3OgoHIrUHPH- r4yuvMZWi6F4m4/edit?tab=t.0, 10 × 310 cm. Photo credits: marytwo
Laura Paloma, 🌹invest🌹and🌹thank🌹me🌹later🌹the🌹blockchain🌹says🌹it’s🌹mine (detail), 2023/2025, Vinyl print, https://docs.google.com/document/d/1KeMoKKlwpKcitf5hj3OgoHIrUHPH- r4yuvMZWi6F4m4/edit?tab=t.0, 10 × 310 cm. Photo credits: marytwo
Laura Paloma, 🌹invest🌹and🌹thank🌹me🌹later🌹the🌹blockchain🌹says🌹it’s🌹mine (detail), 2023/2025, Vinyl print, https://docs.google.com/document/d/1KeMoKKlwpKcitf5hj3OgoHIrUHPH- r4yuvMZWi6F4m4/edit?tab=t.0, 10 × 310 cm. Photo credits: marytwo
Laura Paloma, 🌹invest🌹and🌹thank🌹me🌹later🌹the🌹blockchain🌹says🌹it’s🌹mine, 2023/2025, Vinyl print, https://docs.google.com/document/d/1KeMoKKlwpKcitf5hj3OgoHIrUHPH- r4yuvMZWi6F4m4/edit?tab=t.0, 10 × 310 cm. Photo credits: marytwo
Laura Paloma, 🌹invest🌹and🌹thank🌹me🌹later🌹the🌹blockchain🌹says🌹it’s🌹mine, 2023/2025, Vinyl print, https://docs.google.com/document/d/1KeMoKKlwpKcitf5hj3OgoHIrUHPH- r4yuvMZWi6F4m4/edit?tab=t.0, 10 × 310 cm. Photo credits: marytwo
Joanie 4 Jackie Chainletter tapes, The Velvet Chainletter, 1995, All 4:3 (black and white and/or colour, sound), Courtesy of ©Miranda July, Tammy Rae Carland, Mary Billyou, Ryder Cooley and Rachel Mayeri, Hellin Kay and the Getty Research Institute, Los Angeles. Photo credits: marytwo
Joanie 4 Jackie Chainletter tapes, The Velvet Chainletter, 1995, All 4:3 (black and white and/or colour, sound), Courtesy of ©Miranda July, Tammy Rae Carland, Mary Billyou, Ryder Cooley and Rachel Mayeri, Hellin Kay and the Getty Research Institute, Los Angeles. Photo credits: marytwo
Joanie 4 Jackie Chainletter tapes, Intro by Miranda July from The Velvet Chainletter, 1995, 4:3 (colour, sound), 00:13’, Courtesy of ©Miranda July and the Getty Research Institute, Los Angeles. Photos credits: marytwo
Joanie 4 Jackie Chainletter tapes, Intro by Miranda July from The Velvet Chainletter, 1995, 4:3 (colour, sound), 00:13’, Courtesy of ©Miranda July and the Getty Research Institute, Los Angeles. Photos credits: marytwo
Joanie 4 Jackie Chainletter tapes, Jug Town Road by Tammy Rae Carland from The Velvet Chainletter, 1995, 4:3 (black and white, sound), 02:58’, Courtesy of Tammy Rae Carland and the Getty Research Institute, Los Angeles. Photos credits: marytwo
Joanie 4 Jackie Chainletter tapes, Jug Town Road by Tammy Rae Carland from The Velvet Chainletter, 1995, 4:3 (black and white, sound), 02:58’, Courtesy of Tammy Rae Carland and the Getty Research Institute, Los Angeles. Photos credits: marytwo
Joanie 4 Jackie Chainletter tapes, Jug Town Road by Tammy Rae Carland from The Velvet Chainletter, 1995, 4:3 (black and white, sound), 02:58’, Courtesy of Tammy Rae Carland and the Getty Research Institute, Los Angeles. Photos credits: marytwo
Joanie 4 Jackie Chainletter tapes, Jug Town Road by Tammy Rae Carland from The Velvet Chainletter, 1995, 4:3 (black and white, sound), 02:58’, Courtesy of Tammy Rae Carland and the Getty Research Institute, Los Angeles. Photos credits: marytwo
Joanie 4 Jackie Chainletter tapes, Women’s Punk Art Making Party by Mary Billyou from The Velvet Chainletter, 1995, 4:3 (colour, sound), 06:49’, Courtesy of Mary Billyou and the Getty Research Institute, Los Angeles. Photo credits: marytwo
Joanie 4 Jackie Chainletter tapes, Women’s Punk Art Making Party by Mary Billyou from The Velvet Chainletter, 1995, 4:3 (colour, sound), 06:49’, Courtesy of Mary Billyou and the Getty Research Institute, Los Angeles. Photo credits: marytwo
Joanie 4 Jackie Chainletter tapes, Women’s Punk Art Making Party by Mary Billyou from The Velvet Chainletter, 1995, 4:3 (colour, sound), 06:49’, Courtesy of Mary Billyou and the Getty Research Institute, Los Angeles. Photo credits: marytwo
Joanie 4 Jackie Chainletter tapes, Women’s Punk Art Making Party by Mary Billyou from The Velvet Chainletter, 1995, 4:3 (colour, sound), 06:49’, Courtesy of Mary Billyou and the Getty Research Institute, Los Angeles. Photo credits: marytwo
Joanie 4 Jackie Chainletter tapes, Bird Cage Wedding Cake by Ryder Cooley and Rachel Mayeri from The Velvet Chainletter, 1995, 4:3 (colour, sound), 14:50’, Courtesy of Ryder Cooley and Rachel Mayeri and the Getty Research Institute, Los Angeles. Photo credits: marytwo
Joanie 4 Jackie Chainletter tapes, Bird Cage Wedding Cake by Ryder Cooley and Rachel Mayeri from The Velvet Chainletter, 1995, 4:3 (colour, sound), 14:50’, Courtesy of Ryder Cooley and Rachel Mayeri and the Getty Research Institute, Los Angeles. Photo credits: marytwo
Joanie 4 Jackie Chainletter tapes, Bird Cage Wedding Cake by Ryder Cooley and Rachel Mayeri from The Velvet Chainletter, 1995, 4:3 (colour, sound), 14:50’, Courtesy of Ryder Cooley and Rachel Mayeri and the Getty Research Institute, Los Angeles. Photo credits: marytwo
Joanie 4 Jackie Chainletter tapes, Bird Cage Wedding Cake by Ryder Cooley and Rachel Mayeri from The Velvet Chainletter, 1995, 4:3 (colour, sound), 14:50’, Courtesy of Ryder Cooley and Rachel Mayeri and the Getty Research Institute, Los Angeles. Photo credits: marytwo
Joanie 4 Jackie Chainletter tapes, EVERYWOMAN… was once a little girl… DREAMS by Hellin Kay from The Velvet Chainletter, 1995, 4:3 (colour, sound), 22:18’, Courtesy of Hellin Kay and the Getty Research Institute, Los Angeles. Photo credits: marytwo
Joanie 4 Jackie Chainletter tapes, EVERYWOMAN… was once a little girl… DREAMS by Hellin Kay from The Velvet Chainletter, 1995, 4:3 (colour, sound), 22:18’, Courtesy of Hellin Kay and the Getty Research Institute, Los Angeles. Photo credits: marytwo
Joanie 4 Jackie Chainletter tapes, EVERYWOMAN… was once a little girl… DREAMS by Hellin Kay from The Velvet Chainletter, 1995, 4:3 (colour, sound), 22:18’, Courtesy of Hellin Kay and the Getty Research Institute, Los Angeles. Photo credits: marytwo
Joanie 4 Jackie Chainletter tapes, EVERYWOMAN… was once a little girl… DREAMS by Hellin Kay from The Velvet Chainletter, 1995, 4:3 (colour, sound), 22:18’, Courtesy of Hellin Kay and the Getty Research Institute, Los Angeles. Photo credits: marytwo
Joanie 4 Jackie Chainletter tapes, Outro by Miranda July from The Velvet Chainletter, 1995, 4:3 (colour, sound), 00:13’, Courtesy of ©Miranda July and the Getty Research Institute, Los Angeles. Photo credits: marytwo
Joanie 4 Jackie Chainletter tapes, Outro by Miranda July from The Velvet Chainletter, 1995, 4:3 (colour, sound), 00:13’, Courtesy of ©Miranda July and the Getty Research Institute, Los Angeles. Photo credits: marytwo

Artists
Laura Paloma, Collectif Je t’aime, Aileen Lambert, Michael Fortune, Joanie 4 Jackie, Mary Billyou, Tammy Rae Carland, Miranda July, Hellin Kay, Ryder Cooley, Rachel Mayeri, Joana-Maria Peralta-Ferrer, Fanny Vaucher

Download
Press release (PDF)

Location

marytwo
Mariahilfgasse 2a
6004 Luzern
Switzerland
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Website
https://marytwo.one

Published on: 22.10.25