marytwo

Ecstatic Trance: Artists on Rock My Religion

Opening
14.11.25, 18:00 – 21:00

Exhibition
15.11.25 – 03.01.26

Diogo Pinto, Spellbound, 2025, Oil on canvas, 82 × 160 cm. Photo credits: marytwo
Diogo Pinto, Spellbound, 2025, Oil on canvas, 82 × 160 cm. Photo credits: marytwo
Diogo Pinto, Spellbound, 2025, Oil on canvas, 82 × 160 cm. Photo credits: marytwo
Diogo Pinto, Spellbound, 2025, Oil on canvas, 82 × 160 cm. Photo credits: marytwo
Exhibition view, Ecstatic Trance: Artists on Rock My Religion. Photo credits: marytwo
Exhibition view, Ecstatic Trance: Artists on Rock My Religion. Photo credits: marytwo
Dan Graham, Dan Graham’s Greatest Hits, Volume 1 - 21 + The Kinks, 2004–2022/2025, 22 compact discs and inkjet prints, Courtesy of The Dan Graham and Mieko Graham Foundation. Photo credits: marytwo
Dan Graham, Dan Graham’s Greatest Hits, Volume 1 - 21 + The Kinks, 2004–2022/2025, 22 compact discs and inkjet prints, Courtesy of The Dan Graham and Mieko Graham Foundation. Photo credits: marytwo
Dan Graham, Dan Graham’s Greatest Hits, Volume 1 - 21 + The Kinks, 2004–2022/2025, 22 compact discs and inkjet prints, Courtesy of The Dan Graham and Mieko Graham Foundation. Photo credits: marytwo
Dan Graham, Dan Graham’s Greatest Hits, Volume 1 - 21 + The Kinks, 2004–2022/2025, 22 compact discs and inkjet prints, Courtesy of The Dan Graham and Mieko Graham Foundation. Photo credits: marytwo
Dan Graham, Dan Graham’s Greatest Hits, Volume 1 - 21 + The Kinks (detail), 2004–2022/2025, 22 compact discs and inkjet prints, Courtesy of The Dan Graham and Mieko Graham Foundation. Photo credits: marytwo
Dan Graham, Dan Graham’s Greatest Hits, Volume 1 - 21 + The Kinks (detail), 2004–2022/2025, 22 compact discs and inkjet prints, Courtesy of The Dan Graham and Mieko Graham Foundation. Photo credits: marytwo
Ashton Phillips, Authority Complex (Mold me. Hold me. Take me. Break me. Use me for your pleasure. Be not afraid.), 2025, Clay, wire, burlap, steel, wool, stage lights, 4-channel sound work, 195 × 47 cm. Photo credits: marytwo
Ashton Phillips, Authority Complex (Mold me. Hold me. Take me. Break me. Use me for your pleasure. Be not afraid.), 2025, Clay, wire, burlap, steel, wool, stage lights, 4-channel sound work, 195 × 47 cm. Photo credits: marytwo
Ashton Phillips, Authority Complex (Mold me. Hold me. Take me. Break me. Use me for your pleasure. Be not afraid.), 2025, Clay, wire, burlap, steel, wool, stage lights, 4-channel sound work, 195 × 47 cm. Photo credits: marytwo
Ashton Phillips, Authority Complex (Mold me. Hold me. Take me. Break me. Use me for your pleasure. Be not afraid.), 2025, Clay, wire, burlap, steel, wool, stage lights, 4-channel sound work, 195 × 47 cm. Photo credits: marytwo
Ashton Phillips, Authority Complex (Mold me. Hold me. Take me. Break me. Use me for your pleasure. Be not afraid.), detail, 2025, Clay, wire, burlap, steel, wool, stage lights, 4-channel sound work, 195 × 47 cm. Photo credits: marytwo
Ashton Phillips, Authority Complex (Mold me. Hold me. Take me. Break me. Use me for your pleasure. Be not afraid.), detail, 2025, Clay, wire, burlap, steel, wool, stage lights, 4-channel sound work, 195 × 47 cm. Photo credits: marytwo
Ashton Phillips, Authority Complex (Mold me. Hold me. Take me. Break me. Use me for your pleasure. Be not afraid.), detail, 2025, Clay, wire, burlap, steel, wool, stage lights, 4-channel sound work, 195 × 47 cm. Photo credits: marytwo
Ashton Phillips, Authority Complex (Mold me. Hold me. Take me. Break me. Use me for your pleasure. Be not afraid.), detail, 2025, Clay, wire, burlap, steel, wool, stage lights, 4-channel sound work, 195 × 47 cm. Photo credits: marytwo
Samantha Box, Caribbean Colada, 2024, 3D lenticular print, mounted on acrylic, 101.5 × 81.3 cm. Photo credits: marytwo
Samantha Box, Caribbean Colada, 2024, 3D lenticular print, mounted on acrylic, 101.5 × 81.3 cm. Photo credits: marytwo
Samantha Box, Caribbean Colada, 2024, 3D lenticular print, mounted on acrylic, 101.5 × 81.3 cm. Photo credits: marytwo
Samantha Box, Caribbean Colada, 2024, 3D lenticular print, mounted on acrylic, 101.5 × 81.3 cm. Photo credits: marytwo
Samantha Box, Caribbean Colada (detail), 2024, 3D lenticular print, mounted on acrylic, 101.5 × 81.3 cm. Photo credits: marytwo
Samantha Box, Caribbean Colada (detail), 2024, 3D lenticular print, mounted on acrylic, 101.5 × 81.3 cm. Photo credits: marytwo
Exhibition view, Ecstatic Trance: Artists on Rock My Religion. Photo credits: marytwo
Exhibition view, Ecstatic Trance: Artists on Rock My Religion. Photo credits: marytwo
Exhibition view, Ecstatic Trance: Artists on Rock My Religion. Photo credits: marytwo
Exhibition view, Ecstatic Trance: Artists on Rock My Religion. Photo credits: marytwo
Sarah Benslimane, Untitled, 2025, Mirror, transport etiquette, cork, 60 × 76 × 1 cm. Photo credits: marytwo
Sarah Benslimane, Untitled, 2025, Mirror, transport etiquette, cork, 60 × 76 × 1 cm. Photo credits: marytwo
Sarah Benslimane, Untitled (detail), 2025, Mirror, transport etiquette, cork, 60 × 76 × 1 cm. Photo credits: marytwo
Sarah Benslimane, Untitled (detail), 2025, Mirror, transport etiquette, cork, 60 × 76 × 1 cm. Photo credits: marytwo
Sarah Benslimane, Untitled, 2025, Mirror, transport etiquette, cork, 60 × 76 × 1 cm. Photo credits: marytwo
Sarah Benslimane, Untitled, 2025, Mirror, transport etiquette, cork, 60 × 76 × 1 cm. Photo credits: marytwo
Exhibition view, Ecstatic Trance: Artists on Rock My Religion. Photo credits: marytwo
Exhibition view, Ecstatic Trance: Artists on Rock My Religion. Photo credits: marytwo

Artists
Dan Graham, Diogo Pinto, Sarah Benslimane, Samantha Box, Ashton Phillips

Curators
Kathy Battista, marytwo

Download
Press release (PDF)

Location

marytwo
Mariahilfgasse 2a
6004 Luzern
Switzerland
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Website
https://marytwo.one

Published on: 30.11.25