Last Tango

Under My Skin

Opening
21.05.22, 16:00

Exhibition
21.05.22 – 16.07.22

Right: Una Szeemann, Die verschobene Verdichtung eines Schläfers II, (The Displaced Compression of a Sleeper II), 2018. Left: Martín Soto Climént, Marea de espuma, 2015. Photo: Kilian Bannwart
Right: Una Szeemann, Die verschobene Verdichtung eines Schläfers II, (The Displaced Compression of a Sleeper II), 2018. Left: Martín Soto Climént, Marea de espuma, 2015. Photo: Kilian Bannwart
Under My Skin, installation view, 2022. Photo: Kilian Bannwart
Under My Skin, installation view, 2022. Photo: Kilian Bannwart
Under My Skin, installation view, 2022. Photo: Kilian Bannwart
Under My Skin, installation view, 2022. Photo: Kilian Bannwart
Right: Una Szeemann, Die verschobene Verdichtung eines Schläfers II, (The Displaced Compression of a Sleeper II), 2018. Center: Martín Soto Climént, Marea de espuma, 2015 and Caramel, 2015. Left: Una Szeemann, Die verschobene Verdichtung eines Schläfers I, (The Displaced Compression of a Sleeper I), 2018. Photo: Kilian Bannwart
Right: Una Szeemann, Die verschobene Verdichtung eines Schläfers II, (The Displaced Compression of a Sleeper II), 2018. Center: Martín Soto Climént, Marea de espuma, 2015 and Caramel, 2015. Left: Una Szeemann, Die verschobene Verdichtung eines Schläfers I, (The Displaced Compression of a Sleeper I), 2018. Photo: Kilian Bannwart
Under My Skin, installation view, 2022. Photo: Kilian Bannwart
Under My Skin, installation view, 2022. Photo: Kilian Bannwart
Right: Una Szeemann, Die verschobene Verdichtung eines Schläfers I, (The Displaced Compression of a Sleeper I), 2018. Left: Martín Soto Climént, Gossip Secret Melody, Gossip Wine Melody, 2022. Center: Hannah Villiger, Sculptural, 1994. Photo: Kilian Bannwart
Right: Una Szeemann, Die verschobene Verdichtung eines Schläfers I, (The Displaced Compression of a Sleeper I), 2018. Left: Martín Soto Climént, Gossip Secret Melody, Gossip Wine Melody, 2022. Center: Hannah Villiger, Sculptural, 1994. Photo: Kilian Bannwart
Una Szeemann, Die verschobene Verdichtung eines Schläfers I, (The Displaced Compression of a Sleeper I), 2018. Hannah Villiger, Sculptural, 1996, Sculptural, 1995/97. Photo: Kilian Bannwart
Una Szeemann, Die verschobene Verdichtung eines Schläfers I, (The Displaced Compression of a Sleeper I), 2018. Hannah Villiger, Sculptural, 1996, Sculptural, 1995/97. Photo: Kilian Bannwart
Right: Una Szeemann, Die verschobene Verdichtung eines Schläfers I, (The Displaced Compression of a Sleeper I), 2018. Left: Martín Soto Climént, Gossip Secret Melody, Gossip Wine Melody, 2022. Center: Hannah Villiger, Sculptural, 1994. Photo: Kilian Bannwart
Right: Una Szeemann, Die verschobene Verdichtung eines Schläfers I, (The Displaced Compression of a Sleeper I), 2018. Left: Martín Soto Climént, Gossip Secret Melody, Gossip Wine Melody, 2022. Center: Hannah Villiger, Sculptural, 1994. Photo: Kilian Bannwart
Hannah Villiger, Sculptural, 1996, Sculptural, 1995/97. Una Szeemann, Die verschobene Verdichtung eines Schläfers III, (The Displaced Compression of a Sleeper III), 2018. Photo: Kilian Bannwart
Hannah Villiger, Sculptural, 1996, Sculptural, 1995/97. Una Szeemann, Die verschobene Verdichtung eines Schläfers III, (The Displaced Compression of a Sleeper III), 2018. Photo: Kilian Bannwart
Martín Soto Climént, Marea de espuma, 2015, piezography on Hahnemühle Photo Rag Ultra Smooth 100% Cotton paper and walnut wood, each 31.5 x 21.5 x 6 cm. Photo: Kilian Bannwart
Martín Soto Climént, Marea de espuma, 2015, piezography on Hahnemühle Photo Rag Ultra Smooth 100% Cotton paper and walnut wood, each 31.5 x 21.5 x 6 cm. Photo: Kilian Bannwart
Martín Soto Climént, Marea de espuma, 2015, piezography on Hahnemühle Photo Rag Ultra Smooth 100% Cotton paper and walnut wood, 31.5 x 21.5 x 6 cm. Photo: Kilian Bannwart
Martín Soto Climént, Marea de espuma, 2015, piezography on Hahnemühle Photo Rag Ultra Smooth 100% Cotton paper and walnut wood, 31.5 x 21.5 x 6 cm. Photo: Kilian Bannwart
Martín Soto Climént, Marea de espuma, 2015, piezography on Hahnemühle Photo Rag Ultra Smooth 100% Cotton paper and walnut wood, 31.5 x 21.5 x 6 cm. Photo: Kilian Bannwart
Martín Soto Climént, Marea de espuma, 2015, piezography on Hahnemühle Photo Rag Ultra Smooth 100% Cotton paper and walnut wood, 31.5 x 21.5 x 6 cm. Photo: Kilian Bannwart
Martín Soto Climént, Marea de espuma, 2015, piezography on Hahnemühle Photo Rag Ultra Smooth 100% Cotton paper and walnut wood, 31.5 x 21.5 x 6 cm. Photo: Kilian Bannwart
Martín Soto Climént, Marea de espuma, 2015, piezography on Hahnemühle Photo Rag Ultra Smooth 100% Cotton paper and walnut wood, 31.5 x 21.5 x 6 cm. Photo: Kilian Bannwart
Martín Soto Climént, Marea de espuma, 2015, piezography on Hahnemühle Photo Rag Ultra Smooth 100% Cotton paper and walnut wood (detail). Photo: Kilian Bannwart
Martín Soto Climént, Marea de espuma, 2015, piezography on Hahnemühle Photo Rag Ultra Smooth 100% Cotton paper and walnut wood (detail). Photo: Kilian Bannwart
Martín Soto Climént, Marea de espuma, 2015, piezography on Hahnemühle Photo Rag Ultra Smooth 100% Cotton paper and walnut wood, 31.5 x 21.5 x 6 cm (detail). Photo: Kilian Bannwart
Martín Soto Climént, Marea de espuma, 2015, piezography on Hahnemühle Photo Rag Ultra Smooth 100% Cotton paper and walnut wood, 31.5 x 21.5 x 6 cm (detail). Photo: Kilian Bannwart
Martín Soto Climént, Marea de espuma, 2015, piezography on Hahnemühle Photo Rag Ultra Smooth 100% Cotton paper and walnut wood, 31.5 x 21.5 x 6 cm (detail). Photo: Kilian Bannwart
Martín Soto Climént, Marea de espuma, 2015, piezography on Hahnemühle Photo Rag Ultra Smooth 100% Cotton paper and walnut wood, 31.5 x 21.5 x 6 cm (detail). Photo: Kilian Bannwart
Una Szeemann, Die verschobene Verdichtung eines Schläfers II, (The Displaced Compression of a Sleeper II), 2018, oxidation on copper plate, 200 x 100 cm. Photo:Kilian Bannwart
Una Szeemann, Die verschobene Verdichtung eines Schläfers II, (The Displaced Compression of a Sleeper II), 2018, oxidation on copper plate, 200 x 100 cm. Photo:Kilian Bannwart
Una Szeemann, Die verschobene Verdichtung eines Schläfers II, (The Displaced Compression of a Sleeper II), 2018, oxidation on copper plate, 200 x 100 cm (detail). Photo: Kilian Bannwart
Una Szeemann, Die verschobene Verdichtung eines Schläfers II, (The Displaced Compression of a Sleeper II), 2018, oxidation on copper plate, 200 x 100 cm (detail). Photo: Kilian Bannwart
Hannah Villiger, Sculptural, 1994, C-print of a polaroid, mounted on aluminum, each 125 x 123 cm. Exhibition copy THE ESTATE OF HANNAH VILLIGER. Photo: Kilian Bannwart
Hannah Villiger, Sculptural, 1994, C-print of a polaroid, mounted on aluminum, each 125 x 123 cm. Exhibition copy THE ESTATE OF HANNAH VILLIGER. Photo: Kilian Bannwart
Martín Soto Climént, Gossip Secret Melody, Gossip Wine Melody, 2022, tights and plexiglass mirror mounted in red cedar wood box, each 31 x 21 x 10 cm. Photo: Kilian Bannwart
Martín Soto Climént, Gossip Secret Melody, Gossip Wine Melody, 2022, tights and plexiglass mirror mounted in red cedar wood box, each 31 x 21 x 10 cm. Photo: Kilian Bannwart
Martín Soto Climént, Gossip Secret Melody, 2022, tights and plexiglass mirror mounted in red cedar wood box, 31 x 21 x 10 cm. Photo: Kilian Bannwart
Martín Soto Climént, Gossip Secret Melody, 2022, tights and plexiglass mirror mounted in red cedar wood box, 31 x 21 x 10 cm. Photo: Kilian Bannwart
Martín Soto Climént, Gossip Wine Melody, 2022, tights and plexiglass mirror mounted in red cedar wood box, 31 x 21 x 10 cm. Photo: Kilian Bannwart
Martín Soto Climént, Gossip Wine Melody, 2022, tights and plexiglass mirror mounted in red cedar wood box, 31 x 21 x 10 cm. Photo: Kilian Bannwart
Martín Soto Climént, Gossip Secret Melody, 2022, tights and plexiglass mirror mounted in red cedar wood box, 31 x 21 x 10 cm (detail). Photo: Kilian Bannwart
Martín Soto Climént, Gossip Secret Melody, 2022, tights and plexiglass mirror mounted in red cedar wood box, 31 x 21 x 10 cm (detail). Photo: Kilian Bannwart
Martín Soto Climént, Gossip Wine Melody, 2022, tights and plexiglass mirror mounted in red cedar wood box, 31 x 21 x 10 cm (detail). Photo: Kilian Bannwart
Martín Soto Climént, Gossip Wine Melody, 2022, tights and plexiglass mirror mounted in red cedar wood box, 31 x 21 x 10 cm (detail). Photo: Kilian Bannwart
Una Szeemann, Die verschobene Verdichtung eines Schläfers I, (The Displaced Compression of a Sleeper I), 2018, oxidation on copper plate, 200 x 100 cm. Photo: Kilian Bannwart
Una Szeemann, Die verschobene Verdichtung eines Schläfers I, (The Displaced Compression of a Sleeper I), 2018, oxidation on copper plate, 200 x 100 cm. Photo: Kilian Bannwart
Una Szeemann, Die verschobene Verdichtung eines Schläfers I, (The Displaced Compression of a Sleeper I), 2018, oxidation on copper plate, 200 x 100 cm (detail). Photo: Kilian Bannwart
Una Szeemann, Die verschobene Verdichtung eines Schläfers I, (The Displaced Compression of a Sleeper I), 2018, oxidation on copper plate, 200 x 100 cm (detail). Photo: Kilian Bannwart
Martín Soto Climént, Caramel, 2015, leather on stretcher and tzalam wood, 31 x 20 x 10 cm. Photo: Kilian Bannwart
Martín Soto Climént, Caramel, 2015, leather on stretcher and tzalam wood, 31 x 20 x 10 cm. Photo: Kilian Bannwart
Martín Soto Climént, Caramel, 2015, leather on stretcher and tzalam wood, 31 x 20 x 10 cm (detail). Photo: Kilian Bannwart
Martín Soto Climént, Caramel, 2015, leather on stretcher and tzalam wood, 31 x 20 x 10 cm (detail). Photo: Kilian Bannwart
Hannah Villiger, Sculptural, 1996, 1995/97, C-print of a polaroid, mounted on aluminum, each 125 x 123 cm . Exhibition copy THE ESTATE OF HANNAH VILLIGER. Photo: Kilian Bannwart
Hannah Villiger, Sculptural, 1996, 1995/97, C-print of a polaroid, mounted on aluminum, each 125 x 123 cm . Exhibition copy THE ESTATE OF HANNAH VILLIGER. Photo: Kilian Bannwart
Hannah Villiger, Sculptural, 1996, C-print of a polaroid, mounted on aluminum, each 125 x 123 cm. Exhibition copy THE ESTATE OF HANNAH VILLIGER. Photo: Kilian Bannwart
Hannah Villiger, Sculptural, 1996, C-print of a polaroid, mounted on aluminum, each 125 x 123 cm. Exhibition copy THE ESTATE OF HANNAH VILLIGER. Photo: Kilian Bannwart
Hannah Villiger, Sculptural, 1995/97, C-print of a polaroid, mounted on aluminum, each 125 x 125 cm. Exhibition copy THE ESTATE OF HANNAH VILLIGER. Photo: Kilian Bannwart
Hannah Villiger, Sculptural, 1995/97, C-print of a polaroid, mounted on aluminum, each 125 x 125 cm. Exhibition copy THE ESTATE OF HANNAH VILLIGER. Photo: Kilian Bannwart
Una Szeemann, Die verschobene Verdichtung eines Schläfers III, (The Displaced Compression of a Sleeper III), 2018, oxidation on copper plate, 200 x 100 cm. Photo: Kilian Bannwart
Una Szeemann, Die verschobene Verdichtung eines Schläfers III, (The Displaced Compression of a Sleeper III), 2018, oxidation on copper plate, 200 x 100 cm. Photo: Kilian Bannwart
Una Szeemann, Die verschobene Verdichtung eines Schläfers III, (The Displaced Compression of a Sleeper III), 2018, oxidation on copper plate, 200 x 100 cm (detail). Photo: Kilian Bannwart
Una Szeemann, Die verschobene Verdichtung eines Schläfers III, (The Displaced Compression of a Sleeper III), 2018, oxidation on copper plate, 200 x 100 cm (detail). Photo: Kilian Bannwart

Artists
Hannah Villiger, Martin Soto Climent, Una Szeemann

Location

Last Tango
Sihlquai 274
8005 Zürich
Switzerland
View map

Website
https://www.lasttango.info

Published on: 16.04.22