Siren Songs / Sinister Sirens
Exhibition
12.06.23 – 27.10.23
![Siren Songs / Sinister Sirens, Installation view, 2023. Photo: Kilian Bannwart](/img/cache/thumb900/events/medias/JJ3vVKvbZjzs4KPdVQcm4i7oLcL7i20S9p8bfyQY.jpg)
![Siren Songs / Sinister Sirens, Installation view, 2023. Photo: Kilian Bannwart](/img/cache/thumb900/events/medias/QChrpoGti4Sgv0UqIhDiBKsiJ70FvnJz4F6NsRH7.jpg)
![Siren Songs / Sinister Sirens, Installation view, 2023. Photo: Kilian Bannwart](/img/cache/thumb900/events/medias/UFOn0l3aKyG6LEXbUf3hsAPbYK2RvvSSRt0aMVin.jpg)
![Siren Songs / Sinister Sirens, Installation view, 2023. Photo: Kilian Bannwart](/img/cache/thumb900/events/medias/4KzNvJ3lWX7w9xWBIvZIeiL3YwSkLKacgUr0dEN8.jpg)
![Siren Songs / Sinister Sirens, Installation view, 2023. Photo: Kilian Bannwart](/img/cache/thumb900/events/medias/v2QGw8SbzdgqiaLK3R4e3zrAo3KLo4hCmZJOMR2X.jpg)
![Siren Songs / Sinister Sirens, Installation view, 2023. Photo: Kilian Bannwart](/img/cache/thumb900/events/medias/KOOGquSYgKo9IL3MIxlFr7e0EyTaaDEaa3RcrVCi.jpg)
![Siren Songs / Sinister Sirens, Installation view, 2023. Photo: Kilian Bannwart](/img/cache/thumb900/events/medias/dCsOzI6f4kEuPqbLUWh3WJx68a979t1iwnjCnUIl.jpg)
![Left: Marlene McCarty, Untitled (Bend Over Become Salvation), 1993, Heat Transfer on Canvas, 198 x 152 cm Private collection, Switzerland. Right: Mitchell Anderson, Join (the Great Peace March (Keith Haring, 1986)), 2023, Neon, glass, 55 x 130 cm. Photo: Kilian Bannwart](/img/cache/thumb900/events/medias/UdwU1WYlF5zIvp9lJbjPKiXSuINtC8JycKmqa9d4.jpg)
![Left: Vittorio Santoro, A Clear Scraped Mirror (Le miroir; Le psychopathe; La normalité), 2022. Middle:](/img/cache/thumb900/events/medias/mOV5vgDoH37jOMrym1CYpdZDhVuiTKKKF1YludYq.jpg)
![Left: Sam Porritt, Springing Traps, 2021. Middle: Sam Porritt, Lying in Weight, 2019. Right: Vittorio Santoro, A Clear Scraped Mirror (Le miroir; Le psychopathe; La normalité), 2022. Photo: Kilian Bannwart](/img/cache/thumb900/events/medias/vzeHfdI8hd0Rg4sM7wDpjMKAmRugToQJjnDa4Ioe.jpg)
![Left: Vittoria Santoro, Memories of a Bird (Rear-View Mirror), II, 2020, Bronze casting of a Wood Plank, Silk ribbons, Hemp string, Vintage rear-view Mirror mounted n wall, Pencil in wall, ca. 170 x 179 x 95 cm. Right: Marlene McCarty, Untitled (Bend Over Become Salvation), 1993, Heat Transfer on Canvas, 198 x 152 cm Private collection, Switzerland. Photo: Kilian Bannwart](/img/cache/thumb900/events/medias/mrTj4DPcUk3ZOaoBtyDBlMq2beLTkYRWt2UzaGRw.jpg)
![Left: Sam Porritt, Procession, 2021. Middle: Fiona Banner aka The Vanity Press, B o n e s, 2002. Right: Fiona Banner aka The Vanity Press, Avenir, 2018. Photo: Kilian Bannwart](/img/cache/thumb900/events/medias/JhBdiR1B7H12na76MYCxRWGIt3ougPNqO1qNgx8j.jpg)
![Nicole Bachmann, shell of hope, in cycles, 2022, Performance Documentation, 29.43 min. Photo: Kilian Bannwart](/img/cache/thumb900/events/medias/ztvQcmn9ELzfC0xl9OiwivLkhyBZtvmB6ItPVs1q.jpg)
![Left: Nicole Bachmann, shell of hope, in cycles, 2022. Middle: Sam Porritt, Springing Traps, 2021. Right: Sam Porritt, Lying in Weight, 2019. Photo: Kilian Bannwart](/img/cache/thumb900/events/medias/1tcGsCE9ejSgfFXZNMdiQu1vD29JWtHCHwQ0ieYG.jpg)
![Nicole Bachmann, shell of hope, in cycles, 2022, Performance Documentation, 29.43 min. Photo: Kilian Bannwart](/img/cache/thumb900/events/medias/o6z93l1hgsueCVOpNTiLBDik5Wg8p1tIHrTcWJbQ.jpg)
![Left: Sam Porritt, Springing Traps, 2021, Brush and Ink on Paper, 70x 100. Right: Sam Porritt, Lying in Weight, 2019,Brush and Ink on Paper, 50 x 65 cm.](/img/cache/thumb900/events/medias/3gptaMeKqcXRhADGsJ3THddPs5qs7woV500N68CO.jpg)
![Nicole Bachmann, shell of hope, in cycles, 2022, Performance Documentation, 29.43 min. Photo: Kilian Bannwart](/img/cache/thumb900/events/medias/jvAni3AIf22gsprqVYtuNrZC8N4bTa5hCpOwmX9s.jpg)
![Sam Porritt, Springing Traps (detail), 2021, Brush and Ink on Paper, 70x 100. Photo: Kilian Bannwart](/img/cache/thumb900/events/medias/xNrRYK1toCRjKDNQTWjg6L55Y5Z06tIN4QIV32Xk.jpg)
![Sam Porritt, Lying in Weight (detail), 2019,Brush and Ink on Paper, 50 x 65 cm. Photo: Kilian Bannwart](/img/cache/thumb900/events/medias/RzjYK0YT7kqEnNI2JdM3tPsoPQZpdgEQrBJMkiZb.jpg)
![Vittorio Santoro, A Clear Scraped Mirror (Le miroir; Le psychopathe; La normalité), 2022, Two white mirror panels, one with its silver coating partially scraped off, Pencil on Wall and on the back of the mirror, 36 x 32 x 0.6 cm. Photo: Kilian Bannwart](/img/cache/thumb900/events/medias/VHekDxphKQ1Qd1LiAdsgXT6XgJADZ9saLPZbOugc.jpg)
![Vittorio Santoro, A Clear Scraped Mirror (Le miroir; Le psychopathe; La normalité), 2022, Two white mirror panels, one with its silver coating partially scraped off, Pencil on Wall and on the back of the mirror, 36 x 32 x 0.6 cm. Photo: Kilian Bannwart](/img/cache/thumb900/events/medias/EAxLbrsKiyLq9wXIXoswegNeJfScV9yGCXlSrCLM.jpg)
![Bruce Naumann, Human Need Drain, 1983, Pencil, Charcoal and Watercolor on Paper, ca. 217 x 202 cm Baloise Corporate Collection. Photo: Kilian Bannwart](/img/cache/thumb900/events/medias/uRr0cPjsmg4V9hIhQnS4T8uzAMdCR1cUoqdqn8CJ.jpg)
![Bruce Naumann, Human Need Drain (detail), 1983, Pencil, Charcoal and Watercolor on Paper, ca. 217 x 202 cm Baloise Corporate Collection. Photo: Kilian Bannwart](/img/cache/thumb900/events/medias/s7TF22AfRINHL4tjXHq85t2sPp1rTtlERzuz17T5.jpg)
![Marlene McCarthy, Hearth (Pit Stop), 1992 / 2023, ca. 10’000 Printed Matchbooks, dimensions variable. Photo: Kilian Bannwart](/img/cache/thumb900/events/medias/Vz1c8hkYrRgmZW1TN5pNUsL5QGJTUL8PN4JzCgLT.jpg)
![Marlene McCarthy, Hearth (Pit Stop) (detail), 1992 / 2023, ca. 10’000 Printed Matchbooks, dimensions variable. Photo: Kilian Bannwart](/img/cache/thumb900/events/medias/ilLAMQmTFfWxtU9Q7uukvPYa6AMBjq6zTrEDvfEZ.jpg)
![Vittorio Santoro, Memories of a Bird (Rear-View Mirror), II, 2020, Bronze casting of a Wood Plank, Silk ribbons, Hemp string, Vintage rear-view Mirror mounted on wall, Pencil on wall, ca. 170 x 179 x 95 cm. Photo: Kilian Bannwart](/img/cache/thumb900/events/medias/kCrsGqHPrA8vrVUcfUoDXTataOGpO6WUTF6XhNr4.jpg)
![Vittorio Santoro, Memories of a Bird (Rear-View Mirror), II (detail), 2020, Bronze casting of a Wood Plank, Silk ribbons, Hemp string, Vintage rear-view Mirror mounted on wall, Pencil on wall, ca. 170 x 179 x 95 cm. Photo: Kilian Bannwart](/img/cache/thumb900/events/medias/FzNtHfhP38AMeXlxiwSyteZ0pten0ZRAdQd1qCdL.jpg)
![Marlene McCarthy, Untitled (Bend Over Become Salvation), 1993, Heat Transfer on Canvas, 198 x 152 cm Private collection, Switzerland. Photo: Kilian Bannwart](/img/cache/thumb900/events/medias/mQN0kkZ73tkYw0Pvqx1poXT1MviP5LDhkK0dbF8E.jpg)
![Marlene McCarthy, Untitled (Bend Over Become Salvation) (detail), 1993, Heat Transfer on Canvas, 198 x 152 cm Private collection, Switzerland. Photo: Kilian Bannwart](/img/cache/thumb900/events/medias/t0eDukPgU3KgmYy2yjfvjZXEYLabgdkUMEOcOPjp.jpg)
![Mitchell Anderson, Join (the Great Peace March (Keith haring, 1986)), 2023, Neon, glass, 55 x 130 cm. Photo: Kilian Bannwart](/img/cache/thumb900/events/medias/KhUKaqiwTiThzD2OOWyN1lMQyRGg3AHUBGOAauhZ.jpg)
![Mitchell Anderson, Join (the Great Peace March (Keith haring, 1986)), 2023, Neon, glass, 55 x 130 cm. Photo: Kilian Bannwart](/img/cache/thumb900/events/medias/y40rmL2SQd6jFWaBCHA4i2lBv3e1BULnQjPBkrYH.jpg)
![Sam Poritt, Procession, 2021, Pigment Ink, Screws, Tung Oil, Plywood, 16 x 174 x 22.5 cm. Photo: Kilian Bannwart](/img/cache/thumb900/events/medias/cQ8uW45Zua1VXqRurmoFlAq0IflQukyMUm0B4ghm.jpg)
![Sam Poritt, Procession (detail), 2021, Pigment Ink, Screws, Tung Oil, Plywood, 16 x 174 x 22.5 cm. Photo: Kilian Bannwart](/img/cache/thumb900/events/medias/swL5hekWhHuqR8fzgvTP6UGJFfDru3g1DlF4HWUA.jpg)
![Fiona Banner aka The Vanity Press, B o n e s, 2002, Graphite in Paper under Smashed Glass, 80 x 100 cm Burger Collection, Hong Kong. Photo: Kilian Bannwart.](/img/cache/thumb900/events/medias/a4V3ZJFZYyV8S2mEyMSgXRc0fBall80rFcr6Qbft.jpg)
![Fiona Banner aka The Vanity Press, B o n e s (detail), 2002, Graphite in Paper under Smashed Glass, 80 x 100 cm Burger Collection, Hong Kong. Photo: Kilian Bannwart](/img/cache/thumb900/events/medias/BFyuNgpdZCzNdAKEHmcFOVXx14C5ZNDDvChVJ2XI.jpg)
![Fiona Banner aka The Vanity Press, B o n e s (detail), 2002, Graphite in Paper under Smashed Glass, 80 x 100 cm Burger Collection, Hong Kong. Photo: Kilian Bannwart.](/img/cache/thumb900/events/medias/vP0upLU14qVU2SrK15Wx4sISELqetOydtLzXlTtY.jpg)
![Fiona Banner aka The Vanity Press, Avenir, 2018, Oil on Wood, 18 x 27 cm Burger Collection, Hong Kong. Photo Kilian Bannwart](/img/cache/thumb900/events/medias/PRh5WBkiENnJFSX8HU9exbMhSEfdIadJmLAvIIdy.jpg)
![Fiona Banner aka The Vanity Press, Avenir, 2018, Oil on Wood, 18 x 27 cm Burger Collection, Hong Kong. Photo Kilian Bannwart](/img/cache/thumb900/events/medias/ffzYjEDA805D8MXZAXF7J6iOoS7FAZxATg6mfOFQ.jpg)
Artists
Bruce Nauman, Marlene McCarty, Mitchell Anderson, Nicole Bachmann, Sam Porritt, Vittorio Santoro, Fiona Banner aka The Vanity Press
Curators
Arianna Gellini, Linda Jensen
Location
Art Forum Baloise Park
Aeschengraben 33
4051 Basel
Switzerland
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Website
https://www.lasttango.info