Last Tango

Gazed And Confused
Chapter 2

Group exhibition
18.03.22 – 07.05.22

Gazed and Confused chapter 2, Installatoin view, Last Tango, Photo: Kilian Bannwart
Gazed and Confused chapter 2, Installatoin view, Last Tango, Photo: Kilian Bannwart
Gazed and Confused chapter 2, Installatoin view, Last Tango, Photo: Kilian Bannwart
Gazed and Confused chapter 2, Installatoin view, Last Tango, Photo: Kilian Bannwart
Gazed and Confused chapter 2, Installatoin view, Last Tango, Photo: Kilian Bannwart
Gazed and Confused chapter 2, Installatoin view, Last Tango, Photo: Kilian Bannwart
Gazed and Confused chapter 2, Installatoin view, Last Tango, Photo: Kilian Bannwart
Gazed and Confused chapter 2, Installatoin view, Last Tango, Photo: Kilian Bannwart
Milva Stutz, Lapdog, 2021, charcoal on paper, 190 x 150 cm Photo: Kilian Bannwart
Milva Stutz, Lapdog, 2021, charcoal on paper, 190 x 150 cm Photo: Kilian Bannwart
Milva Stutz, Lapdog, 2021, charcoal on paper, 190 x 150 cm Photo: Kilian Bannwart
Milva Stutz, Lapdog, 2021, charcoal on paper, 190 x 150 cm Photo: Kilian Bannwart
From left to right: John Berger, A. washing stockings, 1956, ink on paper, 21 x 29.7 cm John Berger, JB’s naked selfportrait, 1950, etching print, 22.5 x 32.5 cm (top) John Berger, A. fastening stocking, 1956, ink on paper, 21 x 29.7 cm (bottom) John Berger, Femme nue allongée, n.d., ink on paper, 21 x 29.5 cm John Berger, O loose the dogs of love, 1961, ink on paper, 17.5 x 22.5 cm John Berger, Biker with black backdrop, 1998, ink on paper, 26.5 x 18 cm Photo: Kilian Bannwart
From left to right: John Berger, A. washing stockings, 1956, ink on paper, 21 x 29.7 cm John Berger, JB’s naked selfportrait, 1950, etching print, 22.5 x 32.5 cm (top) John Berger, A. fastening stocking, 1956, ink on paper, 21 x 29.7 cm (bottom) John Berger, Femme nue allongée, n.d., ink on paper, 21 x 29.5 cm John Berger, O loose the dogs of love, 1961, ink on paper, 17.5 x 22.5 cm John Berger, Biker with black backdrop, 1998, ink on paper, 26.5 x 18 cm Photo: Kilian Bannwart
John Berger, A. washing stockings, 1956, ink on paper, 21 x 29.7 cm Photo: Kilian Bannwart
John Berger, A. washing stockings, 1956, ink on paper, 21 x 29.7 cm Photo: Kilian Bannwart
John Berger, A. washing stockings (detail) Photo: Kilian Bannwart
John Berger, A. washing stockings (detail) Photo: Kilian Bannwart
John Berger, JB’s naked selfportrait, 1950, etching print, 22.5 x 32.5 cm Photo: Kilian Bannwart
John Berger, JB’s naked selfportrait, 1950, etching print, 22.5 x 32.5 cm Photo: Kilian Bannwart
(top) John Berger, A. fastening stocking, 1956, ink on paper, 21 x 29.7 cm (bottom) John Berger, Femme nue allongée, n.d., ink on paper, 21 x 29.5 cm Photo: Kilian Bannwart
(top) John Berger, A. fastening stocking, 1956, ink on paper, 21 x 29.7 cm (bottom) John Berger, Femme nue allongée, n.d., ink on paper, 21 x 29.5 cm Photo: Kilian Bannwart
John Berger, A. fastening stocking (detail) Photo: Kilian Bannwart
John Berger, A. fastening stocking (detail) Photo: Kilian Bannwart
John Berger, Femme nue allongée (detail) Photo: Kilian Bannwart
John Berger, Femme nue allongée (detail) Photo: Kilian Bannwart
John Berger, O loose the dogs of love, 1961, ink on paper, 17.5 x 22.5 cm Photo: Kilian Bannwart
John Berger, O loose the dogs of love, 1961, ink on paper, 17.5 x 22.5 cm Photo: Kilian Bannwart
John Berger, O loose the dogs of love (detail) Photo: Kilian Bannwart
John Berger, O loose the dogs of love (detail) Photo: Kilian Bannwart
John Berger, Biker with black backdrop, 1998, ink on paper, 26.5 x 18 cm Photo: Kilian Bannwart
John Berger, Biker with black backdrop, 1998, ink on paper, 26.5 x 18 cm Photo: Kilian Bannwart
From top to bottom: Alina Frieske, Tile (One), 2020, archival print on baryta paper, 82 x 100 cm Alina Frieske, Tile (Three), 2020, archival print on baryta paper, 82 x 100 cm Alina Frieske, Tile (Two), 2020, archival print on baryta paper, 82 x 100 cm Photo: Kilian Bannwart
From top to bottom: Alina Frieske, Tile (One), 2020, archival print on baryta paper, 82 x 100 cm Alina Frieske, Tile (Three), 2020, archival print on baryta paper, 82 x 100 cm Alina Frieske, Tile (Two), 2020, archival print on baryta paper, 82 x 100 cm Photo: Kilian Bannwart
Alina Frieske, Tile (One) (detail) Photo: Kilian Bannwart
Alina Frieske, Tile (One) (detail) Photo: Kilian Bannwart
Alina Frieske, Tile (Two) (detail) Photo: Kilian Bannwart
Alina Frieske, Tile (Two) (detail) Photo: Kilian Bannwart
Dieter Hall, Portrait of Roman, 2021, oil on canvas, 77 x 85 cm and Portrait of Chester, 2021, oil on canvas, 77 x 85 cm Photo: Kilian Bannwart
Dieter Hall, Portrait of Roman, 2021, oil on canvas, 77 x 85 cm and Portrait of Chester, 2021, oil on canvas, 77 x 85 cm Photo: Kilian Bannwart
Dieter Hall, Portrait of Roman, 2021, oil on canvas, 77 x 85 cm Photo: Kilian Bannwart
Dieter Hall, Portrait of Roman, 2021, oil on canvas, 77 x 85 cm Photo: Kilian Bannwart
Dieter Hall, Portrait of Roman (detail) Photo: Kilian Bannwart
Dieter Hall, Portrait of Roman (detail) Photo: Kilian Bannwart
Dieter Hall, Portrait of Chester, 2021, oil on canvas, 77 x 85 cm Photo: Kilian Bannwart
Dieter Hall, Portrait of Chester, 2021, oil on canvas, 77 x 85 cm Photo: Kilian Bannwart
Dieter Hall, Portrait of Chester (detail) Photo: Kilian Bannwart
Dieter Hall, Portrait of Chester (detail) Photo: Kilian Bannwart
Milva Stutz, Zug, 2021, charcoal on paper, 165 x 210 cm Photo: Kilian Bannwart
Milva Stutz, Zug, 2021, charcoal on paper, 165 x 210 cm Photo: Kilian Bannwart
Milva Stutz, Zug (detail) Photo: Kilian Bannwart
Milva Stutz, Zug (detail) Photo: Kilian Bannwart
Milva Stutz, Zug (detail) Photo: Kilian Bannwart
Milva Stutz, Zug (detail) Photo: Kilian Bannwart
Grégory Sugnaux, Nude Sylvester, 2022, gouache and acrylic on canvas, 120 x 80 cm and Harley Quinn, 2022, gouache and acrylic on canvas, 120 x 80 cm Photo: Kilian Bannwart
Grégory Sugnaux, Nude Sylvester, 2022, gouache and acrylic on canvas, 120 x 80 cm and Harley Quinn, 2022, gouache and acrylic on canvas, 120 x 80 cm Photo: Kilian Bannwart
Grégory Sugnaux, Nude Sylvester, 2022, gouache and acrylic on canvas, 120 x 80 cm Photo: Kilian Bannwart
Grégory Sugnaux, Nude Sylvester, 2022, gouache and acrylic on canvas, 120 x 80 cm Photo: Kilian Bannwart
Grégory Sugnaux, Nude Sylvester (detail) Photo: Kilian Bannwart
Grégory Sugnaux, Nude Sylvester (detail) Photo: Kilian Bannwart
Grégory Sugnaux, Harley Quinn, 2022, gouache and acrylic on canvas, 120 x 80 cm Photo: Kilian Bannwart
Grégory Sugnaux, Harley Quinn, 2022, gouache and acrylic on canvas, 120 x 80 cm Photo: Kilian Bannwart
Grégory Sugnaux, Harley Quinn (detail) Photo: Kilian Bannwart
Grégory Sugnaux, Harley Quinn (detail) Photo: Kilian Bannwart
From left to right: John Berger, Biker with black backdrop, 1998, ink on paper, 26.5 x 18 cm John Berger, O loose the dogs of love, 1961, ink on paper, 17.5 x 22.5 cm Photo: Kilian Bannwart
From left to right: John Berger, Biker with black backdrop, 1998, ink on paper, 26.5 x 18 cm John Berger, O loose the dogs of love, 1961, ink on paper, 17.5 x 22.5 cm Photo: Kilian Bannwart
From left to right: John Berger, A. washing stockings, 1956, ink on paper, 21 x 29.7 cm and John Berger, JB’s naked selfportrait, 1950, etching print, 22.5 x 32.5 cm Photo: Kilian Bannwart
From left to right: John Berger, A. washing stockings, 1956, ink on paper, 21 x 29.7 cm and John Berger, JB’s naked selfportrait, 1950, etching print, 22.5 x 32.5 cm Photo: Kilian Bannwart
(top) John Berger, A. fastening stocking, 1956, ink on paper, 21 x 29.7 cm (bottom) John Berger, Femme nue allongée, n.d., ink on paper, 21 x 29.5 cm Photo: Kilian Bannwart
(top) John Berger, A. fastening stocking, 1956, ink on paper, 21 x 29.7 cm (bottom) John Berger, Femme nue allongée, n.d., ink on paper, 21 x 29.5 cm Photo: Kilian Bannwart

Artists
Alina Frieske, Grégory Sugnaux, John Berger, Milva Stutz, Dieter Hall

Location

Last Tango
Sihlquai 274
8005 Zürich
Switzerland
View map

Website
https://www.lasttango.info

Published on: 20.03.22