Kunsthaus Glarus

John Miller
The Ruin of Exchange

Exhibition
14.07.24 – 24.11.24

John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, Another Land, 2021 (front) & Sunken World, 2021 (back) Acrylfarbe, Modelierpaste, Holz, Spiegel / Acrylic, modeling paste, wood, mirror 100 x 100 x 75 cm & 100 x 100 x 75 cm. Courtesy Galerie Johann Widauer, Innsbruck and the artist. Photo: Gina Folly
John Miller, Another Land, 2021 (front) & Sunken World, 2021 (back) Acrylfarbe, Modelierpaste, Holz, Spiegel / Acrylic, modeling paste, wood, mirror 100 x 100 x 75 cm & 100 x 100 x 75 cm. Courtesy Galerie Johann Widauer, Innsbruck and the artist. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, Gemälde aus der Serie / paintings from the series Southwest Landscape, Paintings, 1994-1996, Acrylfarbe Leinwand, diverse Grössen /Acrylic on canvas, various dimensions, Unterschiedliche Leihgeber:innen / Various lenders. Photo: Gina Folly
John Miller, Gemälde aus der Serie / paintings from the series Southwest Landscape, Paintings, 1994-1996, Acrylfarbe Leinwand, diverse Grössen /Acrylic on canvas, various dimensions, Unterschiedliche Leihgeber:innen / Various lenders. Photo: Gina Folly
John Miller, Gemälde aus der Serie / paintings from the series Southwest Landscape, Paintings, 1994-1996, Acrylfarbe Leinwand, diverse Grössen /Acrylic on canvas, various dimensions, Unterschiedliche Leihgeber:innen / Various lenders. Photo: Gina Folly
John Miller, Gemälde aus der Serie / paintings from the series Southwest Landscape, Paintings, 1994-1996, Acrylfarbe Leinwand, diverse Grössen /Acrylic on canvas, various dimensions, Unterschiedliche Leihgeber:innen / Various lenders. Photo: Gina Folly
John Miller, A Powerful Prayer, 1994, Acryl auf Leinwand / Acrylic on canvas, 87.6 x 64.8 x 4 cm. Courtesy Sammlung Ringier, Schweiz. Photo: Paul Seewer
John Miller, A Powerful Prayer, 1994, Acryl auf Leinwand / Acrylic on canvas, 87.6 x 64.8 x 4 cm. Courtesy Sammlung Ringier, Schweiz. Photo: Paul Seewer
John Miller, Ha Ha, Jerry Lewis, 1996, Acryl auf Leinwand / Acrylic on canvas, 71.2 x 51.1 x 2.8 cm. Courtesy Sammlung Ringier, Schweiz. Photo: Paul Seewer
John Miller, Ha Ha, Jerry Lewis, 1996, Acryl auf Leinwand / Acrylic on canvas, 71.2 x 51.1 x 2.8 cm. Courtesy Sammlung Ringier, Schweiz. Photo: Paul Seewer
John Miller, Psychedelic Shack, 1995, Acryl auf Leinwand / Acrylic on canvas, 71.2 x 51.1 x 2.8 cm. Private collection. Photo: the lender
John Miller, Psychedelic Shack, 1995, Acryl auf Leinwand / Acrylic on canvas, 71.2 x 51.1 x 2.8 cm. Private collection. Photo: the lender
John Miller, Sunken World, 2021 (front), Courtesy Galerie Johann Widauer, Innsbruck and the artist. John Miller, Richard Hoeck, Camouflage on a Mannequin (male mannequin), 2008. Courtesy the artists. Photo: Gina Folly
John Miller, Sunken World, 2021 (front), Courtesy Galerie Johann Widauer, Innsbruck and the artist. John Miller, Richard Hoeck, Camouflage on a Mannequin (male mannequin), 2008. Courtesy the artists. Photo: Gina Folly
John Miller, Richard Hoeck, Camouflage on a Mannequin (male mannequin), 2008, Schaufensterpuppe, Kunststoff-Regenmantel mit militärischem Tarnmuster, Kunststoffhose, Kunststoffblätter-Tarnanzug, Automatische Schusswaffe / Mannequin, plastic raincoat with military camouflage pattern, plastic trousers, plastic leaf camouflage suit, automatic firearm. Dimension der Installation variabel / installation dimensions variable. Courtesy the artists. Photo: Gina Folly
John Miller, Richard Hoeck, Camouflage on a Mannequin (male mannequin), 2008, Schaufensterpuppe, Kunststoff-Regenmantel mit militärischem Tarnmuster, Kunststoffhose, Kunststoffblätter-Tarnanzug, Automatische Schusswaffe / Mannequin, plastic raincoat with military camouflage pattern, plastic trousers, plastic leaf camouflage suit, automatic firearm. Dimension der Installation variabel / installation dimensions variable. Courtesy the artists. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, Grapes in a Mirror, 2023, 120 x 90 cm, Inkjetprint und Acryl auf Leinwand / Inkjet print and acrylic on canvas. Courtesy Trautwein Herleth, Berlin and the artist. Photo: Trautwein Herleth, Berlin
John Miller, Grapes in a Mirror, 2023, 120 x 90 cm, Inkjetprint und Acryl auf Leinwand / Inkjet print and acrylic on canvas. Courtesy Trautwein Herleth, Berlin and the artist. Photo: Trautwein Herleth, Berlin
John Miller, The Ambassadors, 2023, 90 x 120 cm, Inkjetprint und Acryl auf Leinwand / Inkjet print and acrylic on canvas. Courtesy Trautwein Herleth, Berlin and the artist. Photo: Herleth, Berlin
John Miller, The Ambassadors, 2023, 90 x 120 cm, Inkjetprint und Acryl auf Leinwand / Inkjet print and acrylic on canvas. Courtesy Trautwein Herleth, Berlin and the artist. Photo: Herleth, Berlin
John Miller, Domestic Bric-à-Brac, 2023, 90 x 120 cm, Inkjetprint und Acryl auf Leinwand / Inkjet print and acrylic on canvas. Courtesy Trautwein Herleth, Berlin and the artist. Photo: Trautwein Herleth, Berlin
John Miller, Domestic Bric-à-Brac, 2023, 90 x 120 cm, Inkjetprint und Acryl auf Leinwand / Inkjet print and acrylic on canvas. Courtesy Trautwein Herleth, Berlin and the artist. Photo: Trautwein Herleth, Berlin
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, Media-Saturated Eyes, 2023, 100 x 75 cm, Inkjetprint und Acryl auf Leinwand / Inkjet print and acrylic on canvas. Courtesy Trautwein Herleth, Berlin and the artist. Photo: Trautwein Herleth, Berlin
John Miller, Media-Saturated Eyes, 2023, 100 x 75 cm, Inkjetprint und Acryl auf Leinwand / Inkjet print and acrylic on canvas. Courtesy Trautwein Herleth, Berlin and the artist. Photo: Trautwein Herleth, Berlin
John Miller, Allegorical Traces, 2023, 90 x 120 cm, Inkjetprint und Acryl auf Leinwand / Inkjet print and acrylic on canvas. Courtesy Trautwein Herleth, Berlin and the artist. Photo: Trautwein Herleth, Berlin
John Miller, Allegorical Traces, 2023, 90 x 120 cm, Inkjetprint und Acryl auf Leinwand / Inkjet print and acrylic on canvas. Courtesy Trautwein Herleth, Berlin and the artist. Photo: Trautwein Herleth, Berlin
John Miller, Momento Mori, 2023, 120 x 90 cm, Inkjetprint und Acryl auf Leinwand / Inkjet print and acrylic on canvas. Courtesy Trautwein Herleth, Berlin und der Künstler / and the artist. Photo: Trautwein Herleth, Berlin
John Miller, Momento Mori, 2023, 120 x 90 cm, Inkjetprint und Acryl auf Leinwand / Inkjet print and acrylic on canvas. Courtesy Trautwein Herleth, Berlin und der Künstler / and the artist. Photo: Trautwein Herleth, Berlin
John Miller, Yearning for Quill Pants and Candles, 2023, 100 x 75 cm, Inkjetprint und Acryl auf Leinwand / Inkjet print and acrylic on canvas. Courtesy Trautwein Herleth, Berlin and the artist. Photo: Trautwein Herleth, Berlin
John Miller, Yearning for Quill Pants and Candles, 2023, 100 x 75 cm, Inkjetprint und Acryl auf Leinwand / Inkjet print and acrylic on canvas. Courtesy Trautwein Herleth, Berlin and the artist. Photo: Trautwein Herleth, Berlin
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, Origin, 2020, Wandfarbe, bekleidete Schaufensterpuppe mit Standvorrichtung / Wall paint, dressed mannequin with stand. Dimension der Installation variabel / installation dimensions variable. Courtesy Sammlung / Collection MAMCO, Genf / Geneva. Anonyme Schenkung / Anonymous donation. Photo: Gina Folly
John Miller, Origin, 2020, Wandfarbe, bekleidete Schaufensterpuppe mit Standvorrichtung / Wall paint, dressed mannequin with stand. Dimension der Installation variabel / installation dimensions variable. Courtesy Sammlung / Collection MAMCO, Genf / Geneva. Anonyme Schenkung / Anonymous donation. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
Dan Graham, Untitled, 2013, Multiple, 4c/1 Siebdruck und Laserschnitt auf Kroma-Karton / Multiple, 4c/1, silkscreen and laser cut on Kroma board. Foto und Text / photo and text: John Miller, Dimension der Installation variabel / installation dimensions variable. Courtesy the artists, rockypoint Press and Veronica Gonzalez. Photo: Gina Folly
Dan Graham, Untitled, 2013, Multiple, 4c/1 Siebdruck und Laserschnitt auf Kroma-Karton / Multiple, 4c/1, silkscreen and laser cut on Kroma board. Foto und Text / photo and text: John Miller, Dimension der Installation variabel / installation dimensions variable. Courtesy the artists, rockypoint Press and Veronica Gonzalez. Photo: Gina Folly
Dan Graham, Untitled, 2013, Multiple, 4c/1 Siebdruck und Laserschnitt auf Kroma-Karton / Multiple, 4c/1, silkscreen and laser cut on Kroma board. Foto und Text / photo and text: John Miller, Dimension der Installation variabel / installation dimensions variable. Courtesy the artists, rockypoint Press and Veronica Gonzalez. Photo: Gina Folly
Dan Graham, Untitled, 2013, Multiple, 4c/1 Siebdruck und Laserschnitt auf Kroma-Karton / Multiple, 4c/1, silkscreen and laser cut on Kroma board. Foto und Text / photo and text: John Miller, Dimension der Installation variabel / installation dimensions variable. Courtesy the artists, rockypoint Press and Veronica Gonzalez. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, Epic Theater, 2020, Print, Beleuchtungsständer, Kameraständer, Kamera, Stoff, Perücke, Studioleuchte Schirme, Schaufensterpuppen-Hand und -Fuss, graue Farbe auf Leinwand / Print, lighting stand, camera stand, camera, fabric, wig, studio light shades, mannequin hand, mannequin foot, gray paint on canvas. Dimension der Installation variabel / installation dimensions variable. Courtesy Sammlung / Collection MAMCO, Genf / Geneva. Anonyme Schenkung / Anonymous donation. Photo: Gina Folly
John Miller, Epic Theater, 2020, Print, Beleuchtungsständer, Kameraständer, Kamera, Stoff, Perücke, Studioleuchte Schirme, Schaufensterpuppen-Hand und -Fuss, graue Farbe auf Leinwand / Print, lighting stand, camera stand, camera, fabric, wig, studio light shades, mannequin hand, mannequin foot, gray paint on canvas. Dimension der Installation variabel / installation dimensions variable. Courtesy Sammlung / Collection MAMCO, Genf / Geneva. Anonyme Schenkung / Anonymous donation. Photo: Gina Folly
John Miller, Epic Theater, 2020, Print, Beleuchtungsständer, Kameraständer, Kamera, Stoff, Perücke, Studioleuchte Schirme, Schaufensterpuppen-Hand und -Fuss, graue Farbe auf Leinwand / Print, lighting stand, camera stand, camera, fabric, wig, studio light shades, mannequin hand, mannequin foot, gray paint on canvas. Dimension der Installation variabel / installation dimensions variable. Courtesy Sammlung / Collection MAMCO, Genf / Geneva. Anonyme Schenkung / Anonymous donation. Photo: Gina Folly
John Miller, Epic Theater, 2020, Print, Beleuchtungsständer, Kameraständer, Kamera, Stoff, Perücke, Studioleuchte Schirme, Schaufensterpuppen-Hand und -Fuss, graue Farbe auf Leinwand / Print, lighting stand, camera stand, camera, fabric, wig, studio light shades, mannequin hand, mannequin foot, gray paint on canvas. Dimension der Installation variabel / installation dimensions variable. Courtesy Sammlung / Collection MAMCO, Genf / Geneva. Anonyme Schenkung / Anonymous donation. Photo: Gina Folly
Robot (Takuji Kogo und / and John Miller), Maybe Next Time, 2024, Video 4K, 3:52 min, sound. Courtesy the artists. Photo: Gina Folly
Robot (Takuji Kogo und / and John Miller), Maybe Next Time, 2024, Video 4K, 3:52 min, sound. Courtesy the artists. Photo: Gina Folly
Robot (Takuji Kogo und / and John Miller), Maybe Next Time, 2024, Video 4K, 3:52 min, sound. Courtesy the artists. Photo: Gina Folly
Robot (Takuji Kogo und / and John Miller), Maybe Next Time, 2024, Video 4K, 3:52 min, sound. Courtesy the artists. Photo: Gina Folly
Robot (Takuji Kogo und / and John Miller), Maybe Next Time, 2024, Video 4K, 3:52 min, sound. Courtesy the artists. Photo: Gina Folly
Robot (Takuji Kogo und / and John Miller), Maybe Next Time, 2024, Video 4K, 3:52 min, sound. Courtesy the artists. Photo: Gina Folly
Robot (Takuji Kogo und / and John Miller), Maybe Next Time, 2024, Video 4K, 3:52 min, sound. Courtesy the artists. Photo: Gina Folly
Robot (Takuji Kogo und / and John Miller), Maybe Next Time, 2024, Video 4K, 3:52 min, sound. Courtesy the artists. Photo: Gina Folly
Robot (Takuji Kogo und / and John Miller), Maybe Next Time, 2024, Video 4K, sound, 3:52 min. (Filmstill / film still). Courtesy the artists
Robot (Takuji Kogo und / and John Miller), Maybe Next Time, 2024, Video 4K, sound, 3:52 min. (Filmstill / film still). Courtesy the artists
Robot (Takuji Kogo und / and John Miller), Maybe Next Time, 2024, Video 4K, sound, 3:52 min. (Filmstill / film still). Courtesy the artists
Robot (Takuji Kogo und / and John Miller), Maybe Next Time, 2024, Video 4K, sound, 3:52 min. (Filmstill / film still). Courtesy the artists
Robot (Takuji Kogo und / and John Miller), Maybe Next Time, 2024, Video 4K, sound, 3:52 min. (Filmstill / film still). Courtesy the artists
Robot (Takuji Kogo und / and John Miller), Maybe Next Time, 2024, Video 4K, sound, 3:52 min. (Filmstill / film still). Courtesy the artists
Robot (Takuji Kogo und / and John Miller), Maybe Next Time, 2024, Video 4K, sound, 3:52 min. (Filmstill / film still). Courtesy the artists
Robot (Takuji Kogo und / and John Miller), Maybe Next Time, 2024, Video 4K, sound, 3:52 min. (Filmstill / film still). Courtesy the artists
Robot (Takuji Kogo und / and John Miller), Maybe Next Time, 2024, Video 4K, sound, 3:52 min. (Filmstill / film still). Courtesy the artists
Robot (Takuji Kogo und / and John Miller), Maybe Next Time, 2024, Video 4K, sound, 3:52 min. (Filmstill / film still). Courtesy the artists
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, installation view, Kunsthaus Glarus, 2024. Photo: Gina Folly
John Miller, The Ruin of Exchange, 2024, Poster A0 auf / on Dibond. Courtesy the artist. Photo: Gina Folly
John Miller, The Ruin of Exchange, 2024, Poster A0 auf / on Dibond. Courtesy the artist. Photo: Gina Folly
John Miller, The Ruin of Exchange, 2024, Poster A0 auf / on Dibond. Courtesy the artist. Photo: Gina Folly
John Miller, The Ruin of Exchange, 2024, Poster A0 auf / on Dibond. Courtesy the artist. Photo: Gina Folly
John Miller, Figure/Ground, 2024, Pappmaché aus Zellulose, Gips, Modelliermasse und Acrylfarbe, Sockel aus Sintra auf Gatorboard / Celluclay paper mâché, plaster, modeling paste, and acrylic paint on bases of sintra laminated to gatorboard, Dimensionen variabel / Dimensions variable. Courtesy Galerie Johann Widauer, Innsbruck and the artist. Photo: Gina Folly
John Miller, Figure/Ground, 2024, Pappmaché aus Zellulose, Gips, Modelliermasse und Acrylfarbe, Sockel aus Sintra auf Gatorboard / Celluclay paper mâché, plaster, modeling paste, and acrylic paint on bases of sintra laminated to gatorboard, Dimensionen variabel / Dimensions variable. Courtesy Galerie Johann Widauer, Innsbruck and the artist. Photo: Gina Folly
John Miller, Figure/Ground, 2024, Pappmaché aus Zellulose, Gips, Modelliermasse und Acrylfarbe, Sockel aus Sintra auf Gatorboard / Celluclay paper mâché, plaster, modeling paste, and acrylic paint on bases of sintra laminated to gatorboard, Dimensionen variabel / Dimensions variable. Courtesy Galerie Johann Widauer, Innsbruck and the artist. Photo: Gina Folly
John Miller, Figure/Ground, 2024, Pappmaché aus Zellulose, Gips, Modelliermasse und Acrylfarbe, Sockel aus Sintra auf Gatorboard / Celluclay paper mâché, plaster, modeling paste, and acrylic paint on bases of sintra laminated to gatorboard, Dimensionen variabel / Dimensions variable. Courtesy Galerie Johann Widauer, Innsbruck and the artist. Photo: Gina Folly
John Miller, Figure/Ground, 2024 (Detail), Pappmaché aus Zellulose, Gips, Modelliermasse und Acrylfarbe, Sockel aus Sintra auf Gatorboard / Celluclay paper mâché, plaster, modeling paste, and acrylic paint on bases of sintra laminated to gatorboard, Dimensionen variabel / Dimensions variable. Courtesy Galerie Johann Widauer, Innsbruck and the artist. Photo: Gina Folly
John Miller, Figure/Ground, 2024 (Detail), Pappmaché aus Zellulose, Gips, Modelliermasse und Acrylfarbe, Sockel aus Sintra auf Gatorboard / Celluclay paper mâché, plaster, modeling paste, and acrylic paint on bases of sintra laminated to gatorboard, Dimensionen variabel / Dimensions variable. Courtesy Galerie Johann Widauer, Innsbruck and the artist. Photo: Gina Folly
John Miller, Figure/Ground, 2024 (Detail), Pappmaché aus Zellulose, Gips, Modelliermasse und Acrylfarbe, Sockel aus Sintra auf Gatorboard / Celluclay paper mâché, plaster, modeling paste, and acrylic paint on bases of sintra laminated to gatorboard, Dimensionen variabel / Dimensions variable. Courtesy Galerie Johann Widauer, Innsbruck and the artist. Photo: Gina Folly
John Miller, Figure/Ground, 2024 (Detail), Pappmaché aus Zellulose, Gips, Modelliermasse und Acrylfarbe, Sockel aus Sintra auf Gatorboard / Celluclay paper mâché, plaster, modeling paste, and acrylic paint on bases of sintra laminated to gatorboard, Dimensionen variabel / Dimensions variable. Courtesy Galerie Johann Widauer, Innsbruck and the artist. Photo: Gina Folly
John Miller, Figure/Ground, 2024 (Detail), Pappmaché aus Zellulose, Gips, Modelliermasse und Acrylfarbe, Sockel aus Sintra auf Gatorboard / Celluclay paper mâché, plaster, modeling paste, and acrylic paint on bases of sintra laminated to gatorboard, Dimensionen variabel / Dimensions variable. Courtesy Galerie Johann Widauer, Innsbruck and the artist. Photo: Gina Folly
John Miller, Figure/Ground, 2024 (Detail), Pappmaché aus Zellulose, Gips, Modelliermasse und Acrylfarbe, Sockel aus Sintra auf Gatorboard / Celluclay paper mâché, plaster, modeling paste, and acrylic paint on bases of sintra laminated to gatorboard, Dimensionen variabel / Dimensions variable. Courtesy Galerie Johann Widauer, Innsbruck and the artist. Photo: Gina Folly
John Miller, Figure/Ground, 2024 (Detail), Pappmaché aus Zellulose, Gips, Modelliermasse und Acrylfarbe, Sockel aus Sintra auf Gatorboard / Celluclay paper mâché, plaster, modeling paste, and acrylic paint on bases of sintra laminated to gatorboard, Dimensionen variabel / Dimensions variable. Courtesy Galerie Johann Widauer, Innsbruck and the artist. Photo: Gina Folly
John Miller, Figure/Ground, 2024 (Detail), Pappmaché aus Zellulose, Gips, Modelliermasse und Acrylfarbe, Sockel aus Sintra auf Gatorboard / Celluclay paper mâché, plaster, modeling paste, and acrylic paint on bases of sintra laminated to gatorboard, Dimensionen variabel / Dimensions variable. Courtesy Galerie Johann Widauer, Innsbruck and the artist. Photo: Gina Folly
John Miller, Figure/Ground, 2024 (Detail), Pappmaché aus Zellulose, Gips, Modelliermasse und Acrylfarbe, Sockel aus Sintra auf Gatorboard / Celluclay paper mâché, plaster, modeling paste, and acrylic paint on bases of sintra laminated to gatorboard, Dimensionen variabel / Dimensions variable. Courtesy Galerie Johann Widauer, Innsbruck and the artist. Photo: Gina Folly
John Miller, Figure/Ground, 2024 (Detail), Pappmaché aus Zellulose, Gips, Modelliermasse und Acrylfarbe, Sockel aus Sintra auf Gatorboard / Celluclay paper mâché, plaster, modeling paste, and acrylic paint on bases of sintra laminated to gatorboard, Dimensionen variabel / Dimensions variable. Courtesy Galerie Johann Widauer, Innsbruck and the artist. Photo: Gina Folly
John Miller, Figure/Ground, 2024 (Detail), Pappmaché aus Zellulose, Gips, Modelliermasse und Acrylfarbe, Sockel aus Sintra auf Gatorboard / Celluclay paper mâché, plaster, modeling paste, and acrylic paint on bases of sintra laminated to gatorboard, Dimensionen variabel / Dimensions variable. Courtesy Galerie Johann Widauer, Innsbruck and the artist. Photo: Gina Folly
John Miller, Figure/Ground, 2024 (Detail), Pappmaché aus Zellulose, Gips, Modelliermasse und Acrylfarbe, Sockel aus Sintra auf Gatorboard / Celluclay paper mâché, plaster, modeling paste, and acrylic paint on bases of sintra laminated to gatorboard, Dimensionen variabel / Dimensions variable. Courtesy Galerie Johann Widauer, Innsbruck and the artist. Photo: Gina Folly

Artist
John Miller

Curator
Melanie Ohnemus

Download
Press release (PDF)

Location

Kunsthaus Glarus
Im Volksgarten
Postfach 1636
1636 Glarus
Switzerland
View map

Website
https://kunsthausglarus.ch

Published on: 15.08.24