Kunsthaus Baselland

Regionale 23
Homes. Die Mehrzahl von Zuhause

Opening
26.11.22, 19:00

Group exhibition
27.11.22 – 08.01.23

Finissage
08.01.23

Alyona Grekova, Frequency illusion, 2022. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Alyona Grekova, Frequency illusion, 2022. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Alyona Grekova, Guardian fairy/When dreams come true, 2022. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Alyona Grekova, Guardian fairy/When dreams come true, 2022. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Christine Camenisch | Johannes Vetsch, Hofgang, 2022. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Christine Camenisch | Johannes Vetsch, Hofgang, 2022. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Inka ter Haar, LOVE 3/15, 2019/2020. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Inka ter Haar, LOVE 3/15, 2019/2020. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Inka ter Haar, LOVE 3/15, 2019/2020; LOVE 3/15, 2019/2020. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Inka ter Haar, LOVE 3/15, 2019/2020; LOVE 3/15, 2019/2020. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Inka ter Haar, LOVE 3/15, 2019/2020; Ester Alemayehu Hatle, Immobilien Stadt, 2022; Durable plastic, trashed for the replacement, 2022; Looking at all that might be lost (Back to refurbishments and demolitions), 2022. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Inka ter Haar, LOVE 3/15, 2019/2020; Ester Alemayehu Hatle, Immobilien Stadt, 2022; Durable plastic, trashed for the replacement, 2022; Looking at all that might be lost (Back to refurbishments and demolitions), 2022. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Ester Alemayehu Hatle, Immobilien Stadt, 2022; Durable plastic, trashed for the replacement, 2022; Tenant and new tenants, 2022. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Ester Alemayehu Hatle, Immobilien Stadt, 2022; Durable plastic, trashed for the replacement, 2022; Tenant and new tenants, 2022. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Ester Alemayehu Hatle, A prepared exit, 2022; Durable plastic, trashed for the replacement, 2022; No point of reference, 2022. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Ester Alemayehu Hatle, A prepared exit, 2022; Durable plastic, trashed for the replacement, 2022; No point of reference, 2022. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Jade Tang, Caresser l’histoire, ongoing, installation (Documentation, 2019-2022; Sonder le sol, 2020-2021; Stratigraphic units, 2019-2021; Typologie de tiges, 2021). Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Jade Tang, Caresser l’histoire, ongoing, installation (Documentation, 2019-2022; Sonder le sol, 2020-2021; Stratigraphic units, 2019-2021; Typologie de tiges, 2021). Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Jade Tang, Caresser l’histoire, ongoing, installation (Sonder le sol, 2020-2021; Sculptures de graines [corn], 2011; Carpothèque, 2022). Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Jade Tang, Caresser l’histoire, ongoing, installation (Sonder le sol, 2020-2021; Sculptures de graines [corn], 2011; Carpothèque, 2022). Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Nicolas Sarmiento, Live reduction, 2022. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Nicolas Sarmiento, Live reduction, 2022. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Nicolas Sarmiento, Live reduction, 2022. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Nicolas Sarmiento, Live reduction, 2022. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Lea Fröhlicher, Yerevan for the Time Being, 2021; Nicolas Sarmiento, Live reduction, 2022. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Lea Fröhlicher, Yerevan for the Time Being, 2021; Nicolas Sarmiento, Live reduction, 2022. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Cheyenne Oswald, Ode to the pace of slugs – Variation 2, 2021, Courtesy the artist; Anja Ganster, En el estudio 1, 2017; En el estudio 2, 2017; En el estudio 3, 2017; Daniela Müller, How to get a mole out of a garden, 2022. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Cheyenne Oswald, Ode to the pace of slugs – Variation 2, 2021, Courtesy the artist; Anja Ganster, En el estudio 1, 2017; En el estudio 2, 2017; En el estudio 3, 2017; Daniela Müller, How to get a mole out of a garden, 2022. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Daniela Müller, How to get a mole out of a garden, 2022. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Daniela Müller, How to get a mole out of a garden, 2022. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Cheyenne Oswald, Ode to the pace of slugs – Variation 2, 2021, Courtesy the artist; Barnhill, 2018, Depósito de la Colección Nacional de Arte Contemporáneo, 2021, Museo de Arte Jaime Morera de Lleida; Anja Ganster, En el estudio 1, 2017. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Cheyenne Oswald, Ode to the pace of slugs – Variation 2, 2021, Courtesy the artist; Barnhill, 2018, Depósito de la Colección Nacional de Arte Contemporáneo, 2021, Museo de Arte Jaime Morera de Lleida; Anja Ganster, En el estudio 1, 2017. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Cheyenne Oswald, Ode to the pace of slugs – Variation 2, 2021, Courtesy the artist. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Cheyenne Oswald, Ode to the pace of slugs – Variation 2, 2021, Courtesy the artist. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Cheyenne Oswald, The garden became a boundless wideness - Episode 1, 2020, Courtesy the artist. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Cheyenne Oswald, The garden became a boundless wideness - Episode 1, 2020, Courtesy the artist. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Josefina Leon Ausejo, Asymmetric Psychegeography, 2022. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Josefina Leon Ausejo, Asymmetric Psychegeography, 2022. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Nadiia Rohozhyna, Tatarka, 2021, with Oleksandr Gorbunov. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Nadiia Rohozhyna, Tatarka, 2021, with Oleksandr Gorbunov. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Joan Pallé, Barnhill, 2018, Depósito de la Colección Nacional de Arte Contemporáneo, 2021, Museo de Arte Jaime Morera de Lleida; Lena Laguna Diel, o.T., 2022; An empty table it’s like a dessert, 2022; o.T., 2022; TALK V, 2022. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Joan Pallé, Barnhill, 2018, Depósito de la Colección Nacional de Arte Contemporáneo, 2021, Museo de Arte Jaime Morera de Lleida; Lena Laguna Diel, o.T., 2022; An empty table it’s like a dessert, 2022; o.T., 2022; TALK V, 2022. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Joan Pallé, Lowry’s letter, 2019; A magnificent place to live, work, or commit suicide, 2018; Komponierhäuschen, 2022. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Joan Pallé, Lowry’s letter, 2019; A magnificent place to live, work, or commit suicide, 2018; Komponierhäuschen, 2022. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Lena Laguna Diel, TALK III, 2020; Joan Pallé, Prospect Cottage, 2019. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Lena Laguna Diel, TALK III, 2020; Joan Pallé, Prospect Cottage, 2019. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Joan Pallé, Prospect Cottage, 2019; Barnhill, 2018, Depósito de la Colección Nacional de Arte Contemporáneo, 2021, Museo de Arte Jaime Morera de Lleida; Lena Laguna Diel, Talk I, 2018; Talk IV, 2021. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Joan Pallé, Prospect Cottage, 2019; Barnhill, 2018, Depósito de la Colección Nacional de Arte Contemporáneo, 2021, Museo de Arte Jaime Morera de Lleida; Lena Laguna Diel, Talk I, 2018; Talk IV, 2021. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Aida Kidane, A surprising thing happened to me, 2022; Mapping Casa M, 2022. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry
Aida Kidane, A surprising thing happened to me, 2022; Mapping Casa M, 2022. Installation view Kunsthaus Baselland 2022. Photo: Finn Curry

Artists
Aida Kidane, Anja Ganster, Camenisch | Vetsch, Cheyenne Oswald, Inka ter Haar, Joan Pallé, Josefina Leon Ausejo, Lea Fröhlicher, Alyona Grekova, Ester Alemayehu Hatle, Lena Laguna Diel, Daniela Müller, Nadiia Rohozhyna, Nicolas Sarmiento, Jade Tang

Curators
Ines Goldbach, Ines Tondar

Location

Kunsthaus Baselland
St. Jakob-Strasse 170
4132 Muttenz
Switzerland
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Website
https://kunsthausbaselland.ch

Published on: 19.11.22