Kunsthaus Baselland

Opening exhibition of the New Kunsthaus Baselland

Opening
13.04.24

Group exhibition
13.04.24 – 18.08.24

El Anatsui, Drying Line, 2021. Aluminum, copper wire, 415 x 657cm. Courtesy of El Anatsui and Goodman Gallery; Naama Tsabar, Melody of Certain Damage #16 2022. Broken electric guitar, strings, metal, cable stops, screws, microphones, 79.5''x 43.5'' x 3.5’’. Courtesy of the artist and Dvir Gallery, Paris; Kasmin Gallery, New York; Goodman Gallery, London; Nazarian / Curcio, Los Angeles; and Spinello Projects, Miami. Ausstellungsansicht / Installation view Kunsthaus Baselland 2024. Foto / Photo: Gina Folly
El Anatsui, Drying Line, 2021. Aluminum, copper wire, 415 x 657cm. Courtesy of El Anatsui and Goodman Gallery; Naama Tsabar, Melody of Certain Damage #16 2022. Broken electric guitar, strings, metal, cable stops, screws, microphones, 79.5''x 43.5'' x 3.5’’. Courtesy of the artist and Dvir Gallery, Paris; Kasmin Gallery, New York; Goodman Gallery, London; Nazarian / Curcio, Los Angeles; and Spinello Projects, Miami. Ausstellungsansicht / Installation view Kunsthaus Baselland 2024. Foto / Photo: Gina Folly
Andrea Bowers, Chandeliers of Interconnectedness (The world is so beautiful even as it burns; Quote used by permission of Terry Tempest Williams), 2022. Steel, neon lights, 185 x 120 x 100 cm. “The world is so beautiful even as it burns” copyright ©2019 by Terry Tempest Williams, from the book EROSION: ESSAYS OF UNDOING. Courtesy of the artist and kaufmann repetto Milan / New York, © 2024, ProLitteris, Zurich; Andrea Bowers, Feminist Fans 2022. Spraypainted fabric fans, 83 fans. Site specific installation, variable dimensions each: 34,2 x 63,5 cm, edition of 5 + 2 AP. Courtesy of the artist and Fondazione Furla and kaufmann repetto Milan / New York, © 2024, ProLitteris, Zurich. Ausstellungsansicht / Installation view Kunsthaus Baselland 2024. Foto / Photo: Gina Folly
Andrea Bowers, Chandeliers of Interconnectedness (The world is so beautiful even as it burns; Quote used by permission of Terry Tempest Williams), 2022. Steel, neon lights, 185 x 120 x 100 cm. “The world is so beautiful even as it burns” copyright ©2019 by Terry Tempest Williams, from the book EROSION: ESSAYS OF UNDOING. Courtesy of the artist and kaufmann repetto Milan / New York, © 2024, ProLitteris, Zurich; Andrea Bowers, Feminist Fans 2022. Spraypainted fabric fans, 83 fans. Site specific installation, variable dimensions each: 34,2 x 63,5 cm, edition of 5 + 2 AP. Courtesy of the artist and Fondazione Furla and kaufmann repetto Milan / New York, © 2024, ProLitteris, Zurich. Ausstellungsansicht / Installation view Kunsthaus Baselland 2024. Foto / Photo: Gina Folly
Naama Tsabar, Melody of Certain Damage #16 2022. Broken electric guitar, strings, metal, cable stops, screws, microphones, 79.5''x 43.5'' x 3.5’’. Courtesy of the artist and Dvir Gallery, Paris; Kasmin Gallery, New York; Goodman Gallery, London; Nazarian / Curcio, Los Angeles; and Spinello Projects, Miami. Gabrielle Goliath, Series Beloved, 2023 (LaToya, Louise, Ana, Sonia, Bessie, Ellen, Marielle, Toni, Sister Abegale, Francoise, Silvia, Saidiya, James, Angela, Brenda) Oil stick on cotton rag and pigment on Fabriano Rosaspina Avorio 285gsm, various dimensions. Courtesy of the artist and Galleria Raffaella Cortese. Ausstellungsansicht / Installation view Kunsthaus Baselland 2024. Foto / Photo: Gina Folly
Naama Tsabar, Melody of Certain Damage #16 2022. Broken electric guitar, strings, metal, cable stops, screws, microphones, 79.5''x 43.5'' x 3.5’’. Courtesy of the artist and Dvir Gallery, Paris; Kasmin Gallery, New York; Goodman Gallery, London; Nazarian / Curcio, Los Angeles; and Spinello Projects, Miami. Gabrielle Goliath, Series Beloved, 2023 (LaToya, Louise, Ana, Sonia, Bessie, Ellen, Marielle, Toni, Sister Abegale, Francoise, Silvia, Saidiya, James, Angela, Brenda) Oil stick on cotton rag and pigment on Fabriano Rosaspina Avorio 285gsm, various dimensions. Courtesy of the artist and Galleria Raffaella Cortese. Ausstellungsansicht / Installation view Kunsthaus Baselland 2024. Foto / Photo: Gina Folly
Gabrielle Goliath, Series Beloved, 2023 (Saidiya, Silvia, Francoise) Oil stick on cotton rag, 80 x 71 cm. Courtesy of the artist and Galleria Raffaella Cortese; El Anatsui, Drying Line, 2021. Aluminum, copper wire, 415 x 657cm. Courtesy of El Anatsui and Goodman Gallery; Naama Tsabar, Melody of Certain Damage #16 2022. Broken electric guitar, strings, metal, cable stops, screws, microphones, 79.5''x 43.5'' x 3.5’’. Courtesy of the artist and Dvir Gallery, Paris; Kasmin Gallery, New York; Goodman Gallery, London; Nazarian / Curcio, Los Angeles; and Spinello Projects, Miami. Ausstellungsansicht / Installation view Kunsthaus Baselland 2024. Foto / Photo: Gina Folly
Gabrielle Goliath, Series Beloved, 2023 (Saidiya, Silvia, Francoise) Oil stick on cotton rag, 80 x 71 cm. Courtesy of the artist and Galleria Raffaella Cortese; El Anatsui, Drying Line, 2021. Aluminum, copper wire, 415 x 657cm. Courtesy of El Anatsui and Goodman Gallery; Naama Tsabar, Melody of Certain Damage #16 2022. Broken electric guitar, strings, metal, cable stops, screws, microphones, 79.5''x 43.5'' x 3.5’’. Courtesy of the artist and Dvir Gallery, Paris; Kasmin Gallery, New York; Goodman Gallery, London; Nazarian / Curcio, Los Angeles; and Spinello Projects, Miami. Ausstellungsansicht / Installation view Kunsthaus Baselland 2024. Foto / Photo: Gina Folly
Joan Jonas, Draw on the wind, 2018. Paper painted kites, bamboo, dimensions variable. Courtesy of the artist and Galleria Raffaella Cortese, Milan, © 2024, ProLitteris, Zurich. Thérèse Bolliger, Inhabited Language 2024. Screening material, each 105 x 105cm, 40 elements. Courtesy of the artist. Daniela Keiser, ADER, 2024. Raumvariable Wand-Boden-Installation, Fototapete, von Hand angefertigte Bodenfarbe aus Kreiden, Jurakalk, Wasser, Gummiarabicum, pulverisiertes Schmerzmittel, 538,5 x 681cm (Wand). Courtesy of the artist and STAMPA Galerie, Basel. Ausstellungsansicht / Installation view Kunsthaus Baselland 2024. Foto / Photo: Gina Folly
Joan Jonas, Draw on the wind, 2018. Paper painted kites, bamboo, dimensions variable. Courtesy of the artist and Galleria Raffaella Cortese, Milan, © 2024, ProLitteris, Zurich. Thérèse Bolliger, Inhabited Language 2024. Screening material, each 105 x 105cm, 40 elements. Courtesy of the artist. Daniela Keiser, ADER, 2024. Raumvariable Wand-Boden-Installation, Fototapete, von Hand angefertigte Bodenfarbe aus Kreiden, Jurakalk, Wasser, Gummiarabicum, pulverisiertes Schmerzmittel, 538,5 x 681cm (Wand). Courtesy of the artist and STAMPA Galerie, Basel. Ausstellungsansicht / Installation view Kunsthaus Baselland 2024. Foto / Photo: Gina Folly

Artists
Alexandra Navratil, Anne-Lise Coste, Daniela Keiser, Gabrielle Goliath, Jacob Ott, Joan Jonas, Laura Mietrup, Monira Al Qadiri, Pipilotti Rist, Renate Buser, Rochelle Feinstein, Tatiana Trouvé, El Anatsui, Thérèse Bolliger, Andrea Bowers, Tony Cokes, Simone Forti, Anna Maria Maiolino, Marine Pagès, Leonor Serrano Rivas, Gerda Steiner, Jörg Lenzlinger, Naama Tsabar, Anna Winteler

Curator
Ines Goldbach

Download
Press release (PDF)

Location

Kunsthaus Baselland
Helsinki-Strasse 5
4142 Basel
Switzerland
View map

Website
https://kunsthausbaselland.ch

Published on: 20.04.24