Halmet

Pirouettenschwindel
Iren Stehli, Karolin Braegger, Skjold Rambow

Exhibition
18.11.24 – 15.12.24

Performance, Pirouettenschwindel, HAMLET. Skjold Rambow, Trapdoor, 2024, Performance and Installation. Photo credit: Leevi Toija
Performance, Pirouettenschwindel, HAMLET. Skjold Rambow, Trapdoor, 2024, Performance and Installation. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. From left to right: Karolin Braegger, I’ve turned 31, 2024, Print and acrylic on cotton, stiffened, 140x100x3.5cm ; Iren Stehli, Tanzstunden Prag, 1974-1977, 41x30cm ; Iren Stehli, Tanzstunden und Bälle Prag, 2012-2014, 41x30cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. From left to right: Karolin Braegger, I’ve turned 31, 2024, Print and acrylic on cotton, stiffened, 140x100x3.5cm ; Iren Stehli, Tanzstunden Prag, 1974-1977, 41x30cm ; Iren Stehli, Tanzstunden und Bälle Prag, 2012-2014, 41x30cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. From left to right: Iren Stehli, Tanzstunden Prag, 1974-1977, 41x30cm ; Iren Stehli, Tanzstunden und Bälle Prag, 2012-2014, 41x30cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. From left to right: Iren Stehli, Tanzstunden Prag, 1974-1977, 41x30cm ; Iren Stehli, Tanzstunden und Bälle Prag, 2012-2014, 41x30cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. From left to right: Iren Stehli, Tanzstunden Prag, 1974-1977, 41x30cm ; Iren Stehli, Tanzstunden und Bälle Prag, 2012-2014, 41x30cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. From left to right: Iren Stehli, Tanzstunden Prag, 1974-1977, 41x30cm ; Iren Stehli, Tanzstunden und Bälle Prag, 2012-2014, 41x30cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. From left to right: Iren Stehli, Prager Schaufenster, 1992, 51x60cm ; Karolin Braegger, I’ve turned 31, 2024, Print and acrylic on cotton, stiffened, 140x100x3.5cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. From left to right: Iren Stehli, Prager Schaufenster, 1992, 51x60cm ; Karolin Braegger, I’ve turned 31, 2024, Print and acrylic on cotton, stiffened, 140x100x3.5cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. From left to right: Karolin Braegger, Bringt nix, 2024, Acrylic on mannequin and board, Dimensions variable ; Karolin Braegger, I’ve turned 31, 2024, Print and acrylic on cotton, stiffened, 140x100x3.5cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. From left to right: Karolin Braegger, Bringt nix, 2024, Acrylic on mannequin and board, Dimensions variable ; Karolin Braegger, I’ve turned 31, 2024, Print and acrylic on cotton, stiffened, 140x100x3.5cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. Karolin Braegger, Bringt nix, 2024, Acrylic on mannequin and board, Dimensions variable. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. Karolin Braegger, Bringt nix, 2024, Acrylic on mannequin and board, Dimensions variable. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. From left to right: Iren Stehli, Tanzstunden Prag, 1974-1977, 41x30cm ; Iren Stehli, Tanzstunden und Bälle Prag, 2012-2014, 41x30cm ; Karolin Braegger, Commercial suicide, 2024, Print and acrylic on cotton, stiffened, 70x35x25cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. From left to right: Iren Stehli, Tanzstunden Prag, 1974-1977, 41x30cm ; Iren Stehli, Tanzstunden und Bälle Prag, 2012-2014, 41x30cm ; Karolin Braegger, Commercial suicide, 2024, Print and acrylic on cotton, stiffened, 70x35x25cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. Iren Stehli, Prager Schaufenster, 1992, 51x60cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. Iren Stehli, Prager Schaufenster, 1992, 51x60cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. From left to right: Skjold Rambow, Trapdoor, 2024, Performance and Installation ; Karolin Braegger, Bringt nix, 2024, Acrylic on mannequin and board, Dimensions variable. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. From left to right: Skjold Rambow, Trapdoor, 2024, Performance and Installation ; Karolin Braegger, Bringt nix, 2024, Acrylic on mannequin and board, Dimensions variable. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. Skjold Rambow, Trapdoor, 2024, Performance and Installation. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. Skjold Rambow, Trapdoor, 2024, Performance and Installation. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. From left to right: Skjold Rambow, Trapdoor, 2024, Performance and Installation ; Karolin Braegger, Bringt nix, 2024, Acrylic on mannequin and board, Dimensions variable ; Karolin Braegger, Advice to the young girls, 2024, Lipstick and acrylic on canvas, 27x25cm ; Karolin Braegger, I‘ve come full circle, 2024, cotton, stiffened, 50x2cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. From left to right: Skjold Rambow, Trapdoor, 2024, Performance and Installation ; Karolin Braegger, Bringt nix, 2024, Acrylic on mannequin and board, Dimensions variable ; Karolin Braegger, Advice to the young girls, 2024, Lipstick and acrylic on canvas, 27x25cm ; Karolin Braegger, I‘ve come full circle, 2024, cotton, stiffened, 50x2cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. Skjold Rambow, Trapdoor, 2024, Performance and Installation. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. Skjold Rambow, Trapdoor, 2024, Performance and Installation. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. Karolin Braegger, Advice to the young girls, 2024, Lipstick and acrylic on canvas, 27x25cm ; Karolin Braegger, I‘ve come full circle, 2024, cotton, stiffened, 50x2cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. Karolin Braegger, Advice to the young girls, 2024, Lipstick and acrylic on canvas, 27x25cm ; Karolin Braegger, I‘ve come full circle, 2024, cotton, stiffened, 50x2cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. Karolin Braegger, Advice to the young girls, 2024, Lipstick and acrylic on canvas, 27x25cm ; Karolin Braegger, I‘ve come full circle, 2024, cotton, stiffened, 50x2cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. Karolin Braegger, Advice to the young girls, 2024, Lipstick and acrylic on canvas, 27x25cm ; Karolin Braegger, I‘ve come full circle, 2024, cotton, stiffened, 50x2cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. Karolin Braegger, Bringt nix, 2024, Acrylic on mannequin and board, Dimensions variable. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. Karolin Braegger, Bringt nix, 2024, Acrylic on mannequin and board, Dimensions variable. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. Karolin Braegger, Bringt nix, 2024, Acrylic on mannequin and board, Dimensions variable. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. Karolin Braegger, Bringt nix, 2024, Acrylic on mannequin and board, Dimensions variable. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. Iren Stehli, Prager Schaufenster, 1992, 51x60cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. Iren Stehli, Prager Schaufenster, 1992, 51x60cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. Karolin Braegger, Commercial suicide, 2024, Print and acrylic on cotton, stiffened, 70x35x25cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. Karolin Braegger, Commercial suicide, 2024, Print and acrylic on cotton, stiffened, 70x35x25cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. Karolin Braegger, Commercial suicide, 2024, Print and acrylic on cotton, stiffened, 70x35x25cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. Karolin Braegger, Commercial suicide, 2024, Print and acrylic on cotton, stiffened, 70x35x25cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. Karolin Braegger, I’ve turned 31, 2024, Print and acrylic on cotton, stiffened, 140x100x3.5cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. Karolin Braegger, I’ve turned 31, 2024, Print and acrylic on cotton, stiffened, 140x100x3.5cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. Karolin Braegger, I’ve turned 31, 2024, Print and acrylic on cotton, stiffened, 140x100x3.5cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. Karolin Braegger, I’ve turned 31, 2024, Print and acrylic on cotton, stiffened, 140x100x3.5cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. Iren Stehli, Tanzstunden Prag, 1974-1977, 41x30cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. Iren Stehli, Tanzstunden Prag, 1974-1977, 41x30cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. Iren Stehli, Tanzstunden Prag, 1974-1977, 41x30cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. Iren Stehli, Tanzstunden Prag, 1974-1977, 41x30cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. Iren Stehli, Tanzstunden Prag, 1974-1977, 41x30cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. Iren Stehli, Tanzstunden Prag, 1974-1977, 41x30cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. Iren Stehli, Tanzstunden Prag, 1974-1977, 41x30cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. Iren Stehli, Tanzstunden Prag, 1974-1977, 41x30cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. From left to right: Iren Stehli, Tanzstunden Prag, 1974-1977, 41x30cm ; Iren Stehli, Tanzstunden und Bälle Prag, 2012-2014, 41x30cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. From left to right: Iren Stehli, Tanzstunden Prag, 1974-1977, 41x30cm ; Iren Stehli, Tanzstunden und Bälle Prag, 2012-2014, 41x30cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. From left to right: Iren Stehli, Tanzstunden Prag, 1974-1977, 41x30cm ; Iren Stehli, Tanzstunden und Bälle Prag, 2012-2014, 41x30cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. From left to right: Iren Stehli, Tanzstunden Prag, 1974-1977, 41x30cm ; Iren Stehli, Tanzstunden und Bälle Prag, 2012-2014, 41x30cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. Iren Stehli, Tanzstunden Prag, 1974-1977, 41x30cm. Photo credit: Leevi Toija
Exhibition view, Pirouettenschwindel, HAMLET. Iren Stehli, Tanzstunden Prag, 1974-1977, 41x30cm. Photo credit: Leevi Toija
Performance, Pirouettenschwindel, HAMLET. Skjold Rambow, Trapdoor, 2024, Performance and Installation. Photo credit: Leevi Toija
Performance, Pirouettenschwindel, HAMLET. Skjold Rambow, Trapdoor, 2024, Performance and Installation. Photo credit: Leevi Toija
Performance, Pirouettenschwindel, HAMLET. Skjold Rambow, Trapdoor, 2024, Performance and Installation. Photo credit: Leevi Toija
Performance, Pirouettenschwindel, HAMLET. Skjold Rambow, Trapdoor, 2024, Performance and Installation. Photo credit: Leevi Toija
Performance, Pirouettenschwindel, HAMLET. Skjold Rambow, Trapdoor, 2024, Performance and Installation. Photo credit: Leevi Toija
Performance, Pirouettenschwindel, HAMLET. Skjold Rambow, Trapdoor, 2024, Performance and Installation. Photo credit: Leevi Toija
Performance, Pirouettenschwindel, HAMLET. Skjold Rambow, Trapdoor, 2024, Performance and Installation. Photo credit: Leevi Toija
Performance, Pirouettenschwindel, HAMLET. Skjold Rambow, Trapdoor, 2024, Performance and Installation. Photo credit: Leevi Toija

Artists
Karolin Braegger, Iren Stehli, Skjold Rambow

Curator
Divided Studios

Download
Press release (PDF)

Location

Halmet
Dörflistrasse 67
8050 Zürich-Oerlikon
Switzerland
View map

Website
https://www.halmet.org

Published on: 07.12.24