La psychologie des serrures

Group exhibition
19 December 2020 – 28 March 2021

Ruiz Stephinson, installation view at CAN - Centre d'Art de Neuchâtel. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Ruiz Stephinson, installation view at CAN - Centre d'Art de Neuchâtel. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
On the ground: Ruiz Stephinson, chair #2, 2020, concrete, aluminum, MDF, rubber, 66 x 56 x 68cm / On the wall: Ruiz Stephinson, guardian (maybe flying with wings), 2020, neon, high voltage transformer, aluminum, galvanized steel, 90 x 77 x18 cm. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
On the ground: Ruiz Stephinson, chair #2, 2020, concrete, aluminum, MDF, rubber, 66 x 56 x 68cm / On the wall: Ruiz Stephinson, guardian (maybe flying with wings), 2020, neon, high voltage transformer, aluminum, galvanized steel, 90 x 77 x18 cm. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Manuela Gernedel & Fiona Mackay, Dining Out, 2020, acrylic, liquid pigments and emulsion, site-specific work, 540 x 215 cm. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Manuela Gernedel & Fiona Mackay, Dining Out, 2020, acrylic, liquid pigments and emulsion, site-specific work, 540 x 215 cm. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Manuela Gernedel & Fiona Mackay, Dining Out, 2020, acrylic, liquid pigments and emulsion, site-specific work, 540 x 215 cm. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Manuela Gernedel & Fiona Mackay, Dining Out, 2020, acrylic, liquid pigments and emulsion, site-specific work, 540 x 215 cm. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Manuela Gernedel & Fiona Mackay, Dining Out, 2020, acrylic, liquid pigments and emulsion, site-specific work, 540 x 215 cm. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Manuela Gernedel & Fiona Mackay, Dining Out, 2020, acrylic, liquid pigments and emulsion, site-specific work, 540 x 215 cm. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Zuzanna Czebatul, installation view at CAN - Centre d'Art de Neuchâtel. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Zuzanna Czebatul, installation view at CAN - Centre d'Art de Neuchâtel. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Zuzanna Czebatul, The Cut (Fish), 2020, Concrete, pigments, 31 x 66 x 3,5 cm. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Zuzanna Czebatul, The Cut (Fish), 2020, Concrete, pigments, 31 x 66 x 3,5 cm. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Zuzanna Czebatul, installation view at CAN - Centre d'Art de Neuchâtel. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Zuzanna Czebatul, installation view at CAN - Centre d'Art de Neuchâtel. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Zuzanna Czebatul, installation view at CAN - Centre d'Art de Neuchâtel. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Zuzanna Czebatul, installation view at CAN - Centre d'Art de Neuchâtel. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Alex Ayed, installation view at CAN - Centre d'Art de Neuchâtel. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Alex Ayed, installation view at CAN - Centre d'Art de Neuchâtel. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Alex Ayed, Untitled (Shelf I), 2020, marble, wood, glass, copper wire, found objects, 29 x 16x 6 cm. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Alex Ayed, Untitled (Shelf I), 2020, marble, wood, glass, copper wire, found objects, 29 x 16x 6 cm. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Left: Alex Ayed, Untitled (Shelf II), 2020, marble, wood, glass, copper wire, found objects, 27 x 16 x 6 cm / Right: Untitled (Shelf III), 2020, marble, wood, glass, copper wire, found objects, 27 x 16 x 6 cm. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Left: Alex Ayed, Untitled (Shelf II), 2020, marble, wood, glass, copper wire, found objects, 27 x 16 x 6 cm / Right: Untitled (Shelf III), 2020, marble, wood, glass, copper wire, found objects, 27 x 16 x 6 cm. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Alex Ayed, installation view at CAN - Centre d'Art de Neuchâtel. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Alex Ayed, installation view at CAN - Centre d'Art de Neuchâtel. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Sarah Margnetti, Intertwined/Deconstructed Furniture, 2020, Acrylic and oil paint on MDF, variable size. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Sarah Margnetti, Intertwined/Deconstructed Furniture, 2020, Acrylic and oil paint on MDF, variable size. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Sarah Margnetti, Intertwined/Deconstructed Furniture, 2020, Acrylic and oil paint on MDF, variable size. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Sarah Margnetti, Intertwined/Deconstructed Furniture, 2020, Acrylic and oil paint on MDF, variable size. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Sarah Margnetti, installation view at CAN - Centre d'Art de Neuchâtel. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Sarah Margnetti, installation view at CAN - Centre d'Art de Neuchâtel. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Hadas Auerbach, installation view at CAN - Centre d'Art de Neuchâtel. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Hadas Auerbach, installation view at CAN - Centre d'Art de Neuchâtel. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Hadas Auerbach, Knives, 1-23/23, 2020, ceramic and glaze on printed textile, various dimensions. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Hadas Auerbach, Knives, 1-23/23, 2020, ceramic and glaze on printed textile, various dimensions. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Hadas Auerbach, Knives, 1-23/23, 2020, ceramic and glaze on printed textile, various dimensions. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Hadas Auerbach, Knives, 1-23/23, 2020, ceramic and glaze on printed textile, various dimensions. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Hamish Pearch, installation view at CAN - Centre d'Art de Neuchâtel. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Hamish Pearch, installation view at CAN - Centre d'Art de Neuchâtel. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Hamish Pearch, Electricityscape, 2020, wood, charcoal, paint, slides (images artist’s own), various dimensions. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Hamish Pearch, Electricityscape, 2020, wood, charcoal, paint, slides (images artist’s own), various dimensions. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Hamish Pearch, Electricityscape, 2020, wood, charcoal, paint, slides (images artist’s own), various dimensions. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Hamish Pearch, Electricityscape, 2020, wood, charcoal, paint, slides (images artist’s own), various dimensions. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Robert Brambora, installation view at CAN - Centre d'Art de Neuchâtel. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Robert Brambora, installation view at CAN - Centre d'Art de Neuchâtel. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Robert Brambora, Untitled, 2020, ceramic, copper glaze, epoxy resin, 11 x 16 x 20 cm. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Robert Brambora, Untitled, 2020, ceramic, copper glaze, epoxy resin, 11 x 16 x 20 cm. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Robert Brambora, Bed, 2020, foam mattress, glass, dried flowers, blankets, 90 x 200 x 17,5 cm. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Robert Brambora, Bed, 2020, foam mattress, glass, dried flowers, blankets, 90 x 200 x 17,5 cm. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
On the wall: Robert Brambora, Untitled, 2020, oil on wood, copper, 40 x 50 cm / On the floor: Untitled, 2020, ceramic, copper glaze, various dimensions. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
On the wall: Robert Brambora, Untitled, 2020, oil on wood, copper, 40 x 50 cm / On the floor: Untitled, 2020, ceramic, copper glaze, various dimensions. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Jacent, installation view at CAN - Centre d'Art de Neuchâtel. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Jacent, installation view at CAN - Centre d'Art de Neuchâtel. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Jacent, Flammes, 2020, 2/2, fired clay, 31 x 9 x 11 cm. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Jacent, Flammes, 2020, 2/2, fired clay, 31 x 9 x 11 cm. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Jacent, Prémonition, 2020, watercolor and gesso on wood, oak artist's frame, 168 x 109 cm. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Jacent, Prémonition, 2020, watercolor and gesso on wood, oak artist's frame, 168 x 109 cm. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Jacent, Chouette, 2020, engobes on earthenware tiles, plywood, lacquer, lighting system, joints, lampshades, 60 x 125 x 18,5 cm. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Jacent, Chouette, 2020, engobes on earthenware tiles, plywood, lacquer, lighting system, joints, lampshades, 60 x 125 x 18,5 cm. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Jacent, installation view at CAN - Centre d'Art de Neuchâtel. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Jacent, installation view at CAN - Centre d'Art de Neuchâtel. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Jacent, installation view at CAN - Centre d'Art de Neuchâtel. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).
Jacent, installation view at CAN - Centre d'Art de Neuchâtel. Photography: Sebastian Verdon/ all images copyright and courtesy of the artists, CAN Centre d’art Neuchâtel, Sans titre (2016).

Artists
Hadas Auerbach, Alex Ayed, Robert Brambora, Zuzanna Czebatul, Manuela Gernedel & Fiona Mackay, Jacent, Sarah Margnetti, Hamish Pearch, Ruiz Stephinson

Organizer
CAN

Location
CAN Centre d’Art Neuchâtel, Neuchâtel

Download
Press release (PDF)