CAN Centre d’art Neuchâtel

Video Show and The Blind Pigeon

Opening
25.11.23, 18:00

Exhibition
26.11.23 – 21.01.24

Monica Bonvicini, Hammering out (an old argument), 1998-2003, exhibition view, 2024. Collection Julia Stoschek Foundation. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
Monica Bonvicini, Hammering out (an old argument), 1998-2003, exhibition view, 2024. Collection Julia Stoschek Foundation. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
Monica Bonvicini, Hammering out (an old argument), 1998-2003, exhibition view, 2024 Collection Julia Stoschek Foundation. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
Monica Bonvicini, Hammering out (an old argument), 1998-2003, exhibition view, 2024 Collection Julia Stoschek Foundation. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
Monica Bonvicini, Hammering out (an old argument), 1998-2003, exhibition view, 2024 Collection Julia Stoschek Foundation. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
Monica Bonvicini, Hammering out (an old argument), 1998-2003, exhibition view, 2024 Collection Julia Stoschek Foundation. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
Florine Leoni, Notes from the dreaming Caracal, 2023, exhibition view, 2024. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
Florine Leoni, Notes from the dreaming Caracal, 2023, exhibition view, 2024. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
Florine Leoni, Notes from the dreaming Caracal, 2023, exhibition view, 2024. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
Florine Leoni, Notes from the dreaming Caracal, 2023, exhibition view, 2024. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
Florine Leoni, Notes from the dreaming Caracal, 2023, exhibition view, 2024. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
Florine Leoni, Notes from the dreaming Caracal, 2023, exhibition view, 2024. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
Mario García Torres, A brief history of Jimmie Johnson’s Legacy, 2006, exhibition view, 2023. Collection Frac Franche-Comté. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
Mario García Torres, A brief history of Jimmie Johnson’s Legacy, 2006, exhibition view, 2023. Collection Frac Franche-Comté. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
Mario García Torres, A brief history of Jimmie Johnson’s Legacy, 2006, exhibition view, 2023. Collection Frac Franche-Comté. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
Mario García Torres, A brief history of Jimmie Johnson’s Legacy, 2006, exhibition view, 2023. Collection Frac Franche-Comté. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
Mario García Torres, A brief history of Jimmie Johnson’s Legacy, 2006, exhibition view, 2023. Collection Frac Franche-Comté. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
Mario García Torres, A brief history of Jimmie Johnson’s Legacy, 2006, exhibition view, 2023. Collection Frac Franche-Comté. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
Rudolf Steiner & Trmasan Bruialesi, Rudolf Steiner & Giona Mottura, exhibition view, 2023. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
Rudolf Steiner & Trmasan Bruialesi, Rudolf Steiner & Giona Mottura, exhibition view, 2023. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
Rudolf Steiner & Trmasan Bruialesi, KULM, CHELM, CHELMNO, 2012. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
Rudolf Steiner & Trmasan Bruialesi, KULM, CHELM, CHELMNO, 2012. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
Rudolf Steiner & Giona Mottura, BONAN TAGON, MIA NOMO ESTAS PARZIVAL’, 2018. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
Rudolf Steiner & Giona Mottura, BONAN TAGON, MIA NOMO ESTAS PARZIVAL’, 2018. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
Olivia Abächerli, Grandfather, 2023, exhibition view, 2023. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
Olivia Abächerli, Grandfather, 2023, exhibition view, 2023. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
Olivia Abächerli, Grandfather, 2023, exhibition view, 2023. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
Olivia Abächerli, Grandfather, 2023, exhibition view, 2023. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
Olivia Abächerli, Grandfather, 2023. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
Olivia Abächerli, Grandfather, 2023. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
The Blind Pigeon, set-up designed by Idée Appliquée. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
The Blind Pigeon, set-up designed by Idée Appliquée. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
The Blind Pigeon, set-up designed by Idée Appliquée. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
The Blind Pigeon, set-up designed by Idée Appliquée. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
The Blind Pigeon, set-up designed by Idée Appliquée. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
The Blind Pigeon, set-up designed by Idée Appliquée. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
The Blind Pigeon, set-up designed by Idée Appliquée. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
The Blind Pigeon, set-up designed by Idée Appliquée. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
The Blind Pigeon, set-up designed by Idée Appliquée. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
The Blind Pigeon, set-up designed by Idée Appliquée. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
Erika Nieva Cunha, Sentinelles, 2023, screened at The Blind Pigeon. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
Erika Nieva Cunha, Sentinelles, 2023, screened at The Blind Pigeon. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
Giulia Essyad, Berry Content, 2021, screened at The Blind Pigeon. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
Giulia Essyad, Berry Content, 2021, screened at The Blind Pigeon. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
Carolina Caycedo & David de Rozas, The Teaching of the Hands, 2021, screened at The Blind Pigeon. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
Carolina Caycedo & David de Rozas, The Teaching of the Hands, 2021, screened at The Blind Pigeon. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
Mia Sanchez, Regina of Crossroads, 2022, screened at The Blind Pigeon, event curated by Palazzina. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel
Mia Sanchez, Regina of Crossroads, 2022, screened at The Blind Pigeon, event curated by Palazzina. Photography: Sebastian Verdon / all images copyright and courtesy of the artists and CAN Centre d’art Neuchâtel

Artists
Bogosi Sekhukhuni, Florine Leoni, Giulia Essyad, Monica Bonvicini, Olivia Abächerli, Jorge Cadena, Erika Nieva Cunha, Mario García Torres, Rudolf Steiner & Trmasan Bruialesi, Rudolf Steiner & Giona Mottura, Young Boy Dancing Group

Download
Press release (PDF)

Location

CAN Centre d’Art Neuchâtel
Rue des Moulins 37
2000 Neuchâtel
Switzerland
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Website
https://can.ch

Published on: 20.01.24